Mini Paintings

30 01 2006

…And speaking of smaller works, sometimes they are a great way for me to work out some interesting compositions. Many of my mini paintings are great in a small format, but the compositions might be too simple to translate into a larger work. Others, however, could work well on a larger scale.

I painted this little mini just before my autumn open studio:

 

 

The little painting sold on opening night, but I really liked the composition and have been wanting to see how it would work in a more developed fashion on a larger canvas. I started the larger one today, so we shall see if it holds up as well on a grander scale. 

To see more of my Italian Landscape paintings, click here.

Jennifer Young; Vibrant Landscapes
www.jenniferyoung.com
Contact

Site Search Tags:



Jennifer Young; Vibrant Landscapes
Oil Paintings and Art Prints Online
My Website
Subscribe to my newsletter
Subscribe to my blog
Contact Me!


Smaller Works

28 01 2006

Here are a couple of smaller paintings I did recently to include in my upcoming show. They are each 12×12″ gallery wrapped:

“Early Lavender”

“Golden Valley”

Often times when collectors are interested in my smaller works, they are looking for pairs or multiples to use in a grouping. So I do try to keep that in mind when I am creating the smaller ones– especially my minis. I don’t go about creating “matching sets”, but as I am working I think about compliments.

Because there are so many ways to hang art, I created a little sampling of ideas on my website that addresses some of the possibilities. It can really be a fun endeavor in itself, and an expression of one’s own personal style and creativity as a collector. Some people like a very formal, symmetrical presentation, while others like to mix it up. Some people prefer that all frames match, but I’m one of those who enjoys an eclectic presentation and think that variety of frame styles presented together can look pretty neat, so long as they compliment each other (and of course the room’s decor.) I’ve even seen both framed and unframed work hanging together to great effect.

While sometimes there is a perfect small spot to display a single painting, these smaller paintings can be shown in so many other ways. They can be stacked one over another on a narrow wall, or presented in groupings over a larger piece of furniture like a sofa or console. They can be used instead of sconces to flank a nice mirror over a buffet or hutch (I’ve done this in my dining room before). They can even be displayed more informally, and sit atop a mantle or book shelf.

Here are a couple of snapshots from my last open studio that shows how I displayed smaller works as part of a larger grouping:

 

 

 

 

Jennifer Young; Vibrant Landscapes
www.jenniferyoung.com
Contact 

Site Search Tags:



Jennifer Young; Vibrant Landscapes
Oil Paintings and Art Prints Online
My Website
Subscribe to my newsletter
Subscribe to my blog
Contact Me!


Painting of Tuscany

25 01 2006

Yesterday I put the finishing touches on the painting below. Sometimes they come together so nicely that they seem to paint themselves. I love when that happens! This is a scene of the countryside just south of Siena that we explored one fine day. I have been wanting to paint this scene for a while but haven’t gotten around to it before now. It is soaking wet, but if it dries in time I may include it in my show in Greenville. I love this scene so much that I may even paint another version of it even larger. It measures 24″ x 30″ and is done with gallery wrap:

 

Here is a shot from the side:

 

 

To see more of my Italian Landscape paintings, click here.

Jennifer Young, Vibrant Landscapes
www.jenniferyoung.com
Contact

Site Search Tags:



Jennifer Young; Vibrant Landscapes
Oil Paintings and Art Prints Online
My Website
Subscribe to my newsletter
Subscribe to my blog
Contact Me!


Older Work

24 01 2006

I’ve been pretty busy getting ready for a show in Greenville, NC next week, so have not had much opportunity to upload new images to the website. I added a couple of new ones this morning though, and will add more as time and weather permits me to photograph them.

Meanwhile, since I’ve mentioned my older work a couple of times, I thought I’d share a few of my older, very different paintings. I was heavily into symbolism and archetypes when I did these. Some of my influences were Chagall, Kahlo, the German expressionists, Klimt, Schiele, and others in the symbolist and figurative traditions. I also went bananas (and still do) over the early renaissance paintings I saw in Italy and Belgium. So, lots of imagery, and lots of “mood”! These pieces are all fairly large. I no longer display these on my official website, because they are so different from what I am doing now:

“Flora” (oil on gallery wrapped canvas, approx. 52″ high x 36″ wide). Those are bees flying out of her mouth. Represents spring renewal (possibly after a hard winter?)

 

 

 

“Abundance” (oil and gold metal leaf on gallery wrapped canvas, 36″h x 48″w). This is “Flora” after she gained some weight. Just kidding! Represents the abundance in life, fertility, nurturing, etc.

 

 

“The Fool” (oil on gallery wrapped canvas, 48″h x 36″w). This is based on the first card in the archetypical journey of the Tarot. Represents new beginnings, adventure, hopefulness, but tendencies toward being a bit fool hardy too (note, the parachute is not open!)

 

 

 

“The Night Sea Journey” (oil on gallery wrapped canvas, 48″h x 60″w). All about the dark night of the soul.

 

 

 

“The Marriage Contract” (oil on gallery wrapped canvas, 36″h x 48″ w)

 

 

These kinds of paintings garnered some shows in places like Purdue University and the Hofstra museum. The photography isn’t great so some are very dark (literally and figuratively, I guess!) There are a few more, but these give an idea of what I was doing before I started painting landscapes (you can see my current landscape work online at www.jenniferyoung.com).

Site Search Tags:



Jennifer Young; Vibrant Landscapes
Oil Paintings and Art Prints Online
My Website
Subscribe to my newsletter
Subscribe to my blog
Contact Me!


Starting and finishing

18 01 2006

Nowadays, the beginning stage is definitely one of my favorite parts of the painting process. I used to hate starting something new. Well, not hate, but I did feel a certain sense of intimidation staring at a big white, blank canvas. This was probably due to the fact that some years ago when I painted in my figurative/abstract style, I was creating work without reference to much of anything, other than my own thoughts and ideas. I also used to stretch my own canvases, which were pretty darn large!! It took me so much energy and effort to build the stretchers, stretch the canvas, and then apply at least two layers of gesso, that by the time I was ready to paint, well, I’d better not mess up! Intimidating.

Now, with my landscapes, I always start with a beautiful, archival ready made canvas, and an idea or inspiration that is based on the natural world (photo or actual). With so much around me to observe, my ideas seem endless. The beginning stages are fun because, while I have a fairly well established starting point, I am constantly designing, tweaking, abstracting, and then bringing my design back into focus. I can imagine what it will look like, but not exactly, so there is a bit of surprise and excitement as I make the painting unfold.

I paint with large brushes for as long as possible and really get things going. As the painting advances, I continue to flesh out the values and colors, leaving the finer details until the very end. The details are necessary of course, but the challenge is to make them just enough so that they enhance the piece (a line here, a stroke of highlight there) but not enough so that it looks over-worked.

Often with smaller paintings, I can paint wet into wet, “alla prima” (all at once,) so finishing is really just the final note in a natural progression of observations and decisions. But when I have a large canvas, I can sometimes paint on it over a series of days. I may take it off of the easel for a while and just stare at it. Start another painting and then stare at the nearly-completed canvas again, throughout the day. What needs to be addressed? When is it finished? Often I can answer these questions pretty quickly, but not always.

So, any way, this week I have been so into starting paintings and I haven’t done much finishing. I keep starting and starting. (I guess whatever keeps you motivated and working.) I think I have 4 or so going right now. Well, the time has come to start finishing some of the darned things. That’s what I’ll be doing today. Hopefully at the day’s end I can emerge with the accomplishment of completion.

Site Search Tags:



Jennifer Young; Vibrant Landscapes
Oil Paintings and Art Prints Online
My Website
Subscribe to my newsletter
Subscribe to my blog
Contact Me!





Close
E-mail It