Paintings of France, Italy and Beyond

I have written about some of the pitfalls with hanging art on canvas in the bathroom before, but that doesn’t mean you can’t hang other forms of artwork. Here is my response to a recent email inquiry, which I hope will offer some additional clarification:

Q: Could you please advise me what sort of artwork could I hang in my bathroom?  I would like to hang a painting or one of those photographs printed (screen-printed?) on canvas-type material (I am not too sure of the material).  Please advise.  Best regards, S.L.

A: Hi S.L.- Art for the bathroom has some challenges but it is certainly not an impossible dream. If the bathroom has a tub or shower I would stay away from hanging art on canvas or wood panel. Over time, the moisture from the bath or shower steam could cause the canvas stretchers or wood panels to expand and contract, warping the support.

I think artwork on paper, such as my giclee prints, is better suited for bathroom. Your best bet is to have the art framed professionally with mat, glass, and backing paper to seal the art in the framing. That will help to prevent moisture from getting in under the glass.

On the other hand, if you are talking about a half bath without tub or shower, I would think you could feel reasonably secure hanging most any type of art. You may also wish to ask the opinions of a professional picture framer or art conservator in your local area. I am not an art conservator, but offer my opinion based on my own experience with the materials. I hope this helps!

Jennifer Young; Vibrant Landscapes
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Here is a little plein air sketch I did the other day before going into the studio. This is a study of some sort of flowering (fruit?) tree blooming in all of it’s spring finery right in my neighborhood.

Spring is definitely my favorite time in Virginia and it can be hard to come into the studio when the dogwoods and fruit trees are blooming.  When I’m called to both paint in the studio and paint en plein air, my compromise is to just try and do a little of each, even if it means just getting outside early in the morning. Eaaaarrrrly.

This painting measures 6×8″ and sells for $325 unframed or $395 framed. For more information please contact me.

Jennifer Young; Vibrant Landscapes
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Here is an exerpt of a recent email I received from a student of painting, inquiring about painting lavender: 

“I just cannot get the lavender/periwinkle  color  figured out. How did you make it? Do you recall? Thanks again. I’ve much enjoyed reading your blog and your artist’s  tips.

 Cheers,
 T. J.”

Dear T.J.,

Well, color mixing is a very ingrained habit that happens when I’m “in the zone” so to speak. Typically for lavender what I’ll most often use is Ultramarine Blue (deep) mixed with Permanent Rose (W&N) and white. Distant lavender looks cooler, so I might use a bit more blue Cerulean or ultramarine, and less rose. It just takes a lot of experimenting, but after a while color mixing becomes pretty intuitive.
-Jennifer
*** 

Painting lavender is so much fun, and I feel so fortunate to have traveled to Provence during lavender season. One thing that struck me was the way that lavender changes color temperature. Sometimes it looked like a deep blue jewel, other times a violent purple, and still other times the red tones would come out so that it looked more heather.

“First Light”, oil on canvas, 16×20″
Price:$1175.00 framed

As with anything in landscape painting, the color temperature of your subject is very much dependant on the light. Morning light appears warm until you compare it to light in the evenings. At high noon, the light is directly overhead, so your subject looks flatter and devoid of shadow areas. To get the best understanding of the effects of light on a subject, it is imperative (for me) to go out in nature and paint what I see. I paint from photos all of the time, but only after I have done a considerable amount of painting, sketching and observing of the subject at hand on location. Photographs are a great resource, but they can lie! It is fine to paint from photographs and study them and the work of others while you are learning. But painting from nature can be the best teacher of all.

Jennifer Young; Vibrant Landscapes
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Here is a still-wet painting I’ve just finished of the Bridge of Sighs.

Built in the 1600’s, the Bridge of Sighs (Il Ponte dei Sospiri) was so named because it connected the inquisition room in the Doge’s Palace with the Doge’s prison. Crossing over the bridge to their confinement the prisoners would give out one last, yearning sigh as they looked out at beautiful Venice before they went to meet their fate.

A rather sad and poignant story! But a beautiful bridge nonetheless, and one of the many landmarks of Venice. I’ve gone on a tour of the palace and the prison and it is fascinating.

This painting is 24″h x 18″ wide (without the frame). It is oil on canvas, priced at $1200 unframed or $1350 framed. For more information, please contact me.

Jennifer Young; Vibrant Landscapes
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The shocking tragedy at Virgina Tech has saddened so many, perhaps especially here in Virginia where I live. Sending prayers of healing and hope to the family and friends of the departed, and to everyone at the college and in the community.

Thanks to artist Susan Reynolds for sharing her image. Susan is also sharing a sheet of memorializing stamps that people can download for personal use. Thanks to Alyson Stanfield for spreading the word about her project.

Jennifer Young; Vibrant Landscapes
Oil Paintings and Art Prints Online
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