Wet panel carriers, plus more on pochade boxes
26 08 2008I have a new painting to share, but the rain we’re getting is making it hard for me to get good light for a photo. Hopefully I’ll get something to show a little later today. Meanwhile, those readers who are “gear-heads” like me might enjoy some light reading on plein air gear:
Wet Panel Carriers:
Ever wonder how to carry those wet paintings around after a day of plein air painting? Never fear, that’s why wet panel carriers were invented. :-) There are a number of commercially available boxes designed with interior slots to hold a few wet panels at a time. Raymar is well known among plein air painters for their lightweight and moderately priced wet panel carrier made out of corrugated plastic.
But with very little time, ingenuity, and even less cash, it’s easy to make your own, even if you aren’t into gagetry or woodworking. The folks on the WetCanvas plein air forum have discussed this topic endlessly. Here are a few of the solutions I’ve bookmarked:
- Marc Hanson’s wet panel carrier, cheap and fast.
- Cost Cutter Ideas from Larry Seiler and others- includes wet panel carriers and other home made solutions for some of your plein air painting gadgetry.
- And lastly, here’s Wayne Gaudon’s solution, and the one I’ve tried myself (with a few modifications.) Easy! It uses el-cheapo Walmart picture frames and a few very simple tools. I pretty much ditched the tools and came up with the lazy woman’s version. As soon as I photograph it I’ll write about my own experience with this version of the home made panel carrier.
Pochade boxes
Don’t worry, you’ll not get another thousand-word dissertation from me on plein air easels (but if you missed it the first time, you can read my thoughts here, here here and here).
This time, Charlie Parker has taken good care of this task on his most interesting art blog Lines and Colors. If you’re in the market for a pochade box and feel overwhelmed by the choices, this post will go a long way towards helping you along in your decision. I was happy to see that he wrote about a new pochade box I’ve been lusting after myself- made by Alla Prima Pochade.
I first saw one of these boxes (the Bitterroot Lite) demo’ed in France by fellow artist-traveler Joyce Gabriel, and I was impressed with the many thoughtful and unique features, and how all of it folded up into one neat little package to fit inside her everyday backpack.
P.S. If you have extra reading time, check out the rest of Charlie’s site for lots of great art coverage, including his latest post on a painter I’ve long admired, Richard Schmid. This is a timely post for me personally, as this summer I’ve been re-reading Schmid’s wonderful book, “Alla Prima” (also available in a more affordable paperback) and doing the color charts he recommends (incredibly enlightening!) You also might enjoy Joyce’s posts and pics on her trip to France . I met Joyce at Le Vieux Couvent where I’ll be teaching my own workshop next spring.
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Jennifer
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Hi Jennifer. I recently discovered your blog and really appreciate your Paint Annapolis tales. I hope to do that and Easton in the future.
I hope it is alright if I link to your entry here in my art blog. I’m doing a brief entry on supplies and would like to refer folks here for a bigger picture. Please let me know otherwise.
Take care.
Bonnie- thanks for your comments, and please feel welcome to link to my site from your art blog. Thanks! I’m glad you’ve found my info helpful.
The paint-out was intense and tiring, but fun and very worthwhile. I imagine the Paint Annapolis competition would be even moreso. Plein Air Easton is also a great event, and I, too, hope to do both in the future. I hear that especially the latter is extremely competitive. One competing artist at Paint Annapolis told me he didn’t get into Plein Air Easton this year, but two of his students did. It’s all so subjective, and the judges are different each year. I think the key is to just keep trying for them.