Monthly Archives: August 2008

Crop happens

….Or at least sometimes it should. I went down by the river at Great Shiplock Park this morning to paint this little view looking out towards Rocketts Landing:

Plein air painting James River Richmond VA

I had a frustrating morning.  

I didn’t finish because I began to have problems with the composition. The canvas panel is a 9×12″, and while there are things I like about it, I’m not too excited about the near equal width of the sky and water framing the skyline, where the real interest is. 

I think this was an editing problem. I liked too many things about the scene and I was trying to fit them all in. I liked the hazy sky. I liked the purplish skyline. And I liked the reflections in the water too. I guess it just goes to show how very important it is to put a good deal of thought into the orchestration of a piece before rushing in.

Well, we learn from our mistakes, right? So with a little trickery in Photoshop, I am able to see what a better compositional choice may have looked like:

James River painting Rocketts Landing by Jennifer Young 

Well, I can’t exactly glue a new top to this panel. But look what happens when I cut this down to approximately 6×12″:

Jennifer Young plein air paintings James River Richmond VA 

Better? My kingdom for a table saw.





Jennifer Young; Vibrant Landscapes
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Plein air painting tip- protecting your hands.

I’m heading out this morning to do a little plein air painting, so for now I’ll post a plein air painting tip. This was a question posed to me by a fellow artist from Texas. My answer follows:

Hi Jennifer,

 Came upon your site from a demo you have at EmptyEasel.com.  I have a dumb question but  couldn’t find  an answer on your site. You use a blue glove while  painting in some of  the photos. Could you give me the brand name and  do you use them in plein  air? Seems like the ones I am getting do not  last through a painting 
session. -G.K. in Texas

Answer: Hi G.K. -

Your question isn’t dumb at all. I still have a box of 200 white latex gloves collecting dust because they broke down so easily with oil paints and solvents. What I’m using now are called nitrile gloves.  They’re thin and disposable, but hold up well to solvents.  I find if I’m not too messy I can reuse them for another session.

I get the blue ones you’ve seen in some of my photos at Lowe’s or Home Depot in the painting section. I know for sure that Lowe’s has them. You might try them out by getting a small pack locally, and then if you like them, you could probably find a better price online, especially if you buy larger quantities. (I also found a great deal on them at Costco, and they were gray, not blue. At Costco they’re called “Nitrile Examination Gloves”. I don’t have large hands, but to be safe, I bought the medium size and I’m glad I did. They fit perfectly–not too tight, not too loose).

As for plein air painting, I use the gloves when I think to pack them! Sometimes though they can be a little much when it’s 85-90+ degrees outside. In that case I just can’t bear them, as they do make your hands “sweat” in the heat. But wear them if you can stand it. It’s really not a good idea to expose your skin to daily paint and solvents.

Here’s another idea I learned from fellow plein air painter Mary Pettis, who in turn learned it from painter Jim Wilcox. Dentist’s bibs! If you can find them, that is. They have the paper towel properties on one side, and a plastic lining on the other side, so the solvents don’t get through to your hands. I have yet to check out our local medical supply place, but intend to do so soon so I can give it a try. Apparently works great, and no sweaty hands en plein air!





Jennifer Young; Vibrant Landscapes
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Another plein air visit to Ginter Botanical Gardens

We are having such unbelieveably beautiful weather here in Richmond that you’d think it was September instead of mid-August. So yesterday I took a short break from  studio planning to do a little painting. Only really had time for a very quick little 8×10″ study, –and an unfinished one at that. But at least I got “out there” for a bit and took a break from all of this building/moving stuff:

sunflowers plein air painting Jennifer Young

sold

Lewis Ginter Botanical Gardens has a wonderful feature called the children’s garden. Lots of fun activities for the little tykes, and beautiful summer color for the rest of us. The sunflowers are fading but they were still holding on along this garden path. A few more touches are needed to resolve this piece, and I may yet add a figure or two to the path. So I guess this is yet another “work in progress”. One day soon I may surprise everyone and finish something ;-)





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More for the “ideal art studio” list

Note: An advance apology goes out those not interested in my posts on designing a home studio. I am itching to get back to painting in a greater capacity, but this studio stuff is a bit all-consuming and it’s where I am at the moment, so here goes!

There are a few other things that I’ve not included on my first ideal studio list because they are pertain a little more to personal preference than to “art studio”, per se. But they’re still pretty important, so I’ll throw them in for grins.  I will preface by saying that my best method of decision making comes about by stating what is as close to ideal as I can conjure up, and to then go about slicing and dicing based on budgetary constraints and other issues. 

And to that end, our local zoning office has already been kind enough to get the slice/dice process going for us. We have learned that instead of a larger, squarish format at the back of the lot (which would have happily blocked our view of the alley) we are now dealing with a long/narrow structure on the side of our lot. The issue isn’t so much the lot coverage as the setback requirements for our particular lot.

After allowing myself a brief round of ranting and raging, I went back to the drawing board. Right now it looks like a max of 16×24′ working space, to serve the previously mentioned office and studio functions.  This is single story, but with cathedral ceiling and 9′ walls. We’re also looking at a 4′ portico off of one end that can accommodate a loft area for additional storage. All subject to change, of course, if zoning comes up with a different answer once we submit our final drawings with the application.

But che sera sera. I’ll deal with that ranting, raging, and nail-biting if it happens. For now, here are some additional items for the wish list:

  1. Lasting and low maintenance:  If we can build this thing, it’s going to have to last me a good, long time. One never knows what the future holds, but I’m pretty tired of moving. This will be my third studio move in 5 years.
  2.  Aesthetically appealing: Aside from my “outdoor studio”, I’ve had past studios in leaky office buildings, sheds, and even closets and kitchen tables, so for the record, I’m not THAT prissy. But since this project is, in large part, as a result of my artistic efforts,  I want it to be a nice creative retreat. Since we will do the finishing work, this is something that will have to happen over time; but ultimately I’d like a certain level of finish. I’d also like to find ways to integrate this structure as much as possible with the rest of the property, through landscaping, garden elements, etc. 
  3. Less will be more: Whether we build or not, I’ll be downsizing. If you’ve read any of my blog posts about easels and art materials you’ve probably guessed that this is something I really need to do any way.  While I’ll be lightening my load, fitting everything in is still going to be a challenge. So I want the space to have a feeling of airiness and openness.
  4.  Energy efficient/ eco-friendly: The big caveat here is that I have to be realistic about price, but I want to do what I can (and what I can afford) toward that end.  I do realize the “green”/energy conservation trade-off– any upfront pricing often pays for itself over time in energy savings. But while we won’t automatically go for the cheapest options, we do have to consider the initial outlay. And unfortunately many of the green building options, as great as they seem to be, may not fit in with my budget. 

In the beginning I checked into a ton of pre-fab/ready-made/kits/plans considered to be eco-friendly options, but all of the ones I found were either the wrong size/shape for our lot, or out of our price range (or both) and we’re still talking about just products that were just the “bones” or “shell”. So, we finally decided that for my needs we’d best see if we could build a semi-customized garage.

But what  I CAN do is pick the best materials that I can afford that have proven to conserve energy costs and production, and also hopefully to minimize the environmental impact as much as possible. So for a while I’ll probably be reading more building material catalogs than art supply catalogs! I’m looking at roofing and siding options that will somehow meet at least a cross-section of the above requirements, plus other building materials (insulation options, windows with low-e glass, the solar tubes, etc.) It is a lot to cover and a lot to learn! And of course I might be jumping ahead just a wee bit. Here I am designing flower beds, and we haven’t yet gotten the building permit ;-)





Jennifer Young; Vibrant Landscapes
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Lot Valley, France painting (WIP)

Lest you think all I’m doing is sitting around daydreaming about a new art studio, I thought I’d share a snapshot of a painting I’m working on from my last trip to the French countryside:

French landscape painting by Jennifer Young

After working so often on small pieces lately, it feels good to be getting into something larger. This one’s  24×36″.





Jennifer Young; Vibrant Landscapes
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