Category Archives: Drawing & Sketching

In the works- Rooftops, St. Cirq La Popie

Just thought I’d do a quick post of what is currently on my easel. It’s a 24×30″ painting of  a location I visited on my last trip to France; St. Cirq La Popie. St. Cirq La Popie is probably one of the most storybook-pretty villages in France that I have yet seen. I am actually hoping to do a little plein air painting today during baby E’s naptimes, so this will be brief. Let’s hope the nap gods are with me!

France landscape St. Cirq La Popie

 

France landscape St. Cirq La Popie





Jennifer Young; Vibrant Landscapes
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Pigeonniere W.I.P.

I am short on time today, so this post will be short on words (rare, I know!) I do have pictures to share, however, of my current 20×24″ painting on the easel. The plan is for this to be a larger, more developed version of the plein air piece I did in France (shown here) with more of the sky featured.

Compositional sketch:

France painting work-in-progress by Jennifer Young

Tonal sketch:

France landscape painting in progress by Jennifer Young

Sky lay-in (first go):

France landscape painting in progress by Jennifer Young

Ground and shrubs lay-in:

France landscape oil painting by Jennifer Young

France landscape painting in progress by Jennifer Young

Now the fun begins! :-)





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A small commission, with just weeks away…

Given how long it has been since I’ve posted anything new here at all, I am almost embarrassed to write another “yes I’m still here” post. But here goes!  The baby is now less than a month away from her due date and I am finally feeling as if I have gotten our household in some kind of order to prepare for her arrival. Unfortunately, now that I’m getting a little respite from the baby books, the shower, the classes, and prepping the nursery, I am, in this final trimester, also feeling my least energetic and creative. In truth, I don’t think I was prepared for just how exhausted I’d feel throughout the pregnancy. But now that I’m getting really big, I can’t really seem to do any one thing for very long before I start to feel quite uncomfortable.

So needless to say, painting has pretty much taken a back seat during most of my pregnancy, and it’s hard to say when that will change to any great extent after the baby comes. However, I do have one new little piece to share. It’s a small watercolor/pen and ink painting  (8×10″ on 11×14″ paper) that a client commissioned to commemorate her daughter’s upcoming wedding:

watercolor tuscany painting by Jennifer E. Young, all rights reserved.

“Flavor of Fagiolari”
Watercolor and Pen & Ink on Paper
sold

The scene is of a B&B in the Chianti region, not far from where I myself have traveled a number of times. It’s a special place to the betrothed because they met in Italy and stayed at Fagiolari during their travels through Tuscany together.

When I paint from photos, I prefer to work from my own references. I just have a much better feeling for the place if I, myself, have traveled and painted there, and my photos serve as a trigger to call forth those experiences. I also take several different viewpoints of a given scene, plus a number of details, so that I can have as much information as possible when I get to work. So it’s always with a bit of reservation when I consider working from a client’s photo, which is normally more of a one-off tourist snapshot.

But this commission was actually quite a joy for me. Not only was it great to be doing something in the painting realm again, but the photos provided were excellent. Having also traveled the area fairly extensively myself helped a good deal as well.  Plus I was given much leeway as to how I wanted to interpret them (the photos) and what I wanted to include, rather than being tied to making an exact, literal interpretation  (a.k.a. an illustration) of a scene.

What was most important to the client was that I caputre the “flavor” of the place (hence the painting’s title). Luckily, the client was delighted with the finished piece, and I had a good time getting my hands back in some art-making to boot. I tend to feel somewhat more intimidated by watercolors (as opposed to oils) but given its manageable size and the properties of the medium, I was able to stop and start more easily than I can with oils. It’s not without reason to think that maybe I can even attempt a few more before “D-day” (or make that B-day) but we’ll see. The one thing I can say about my life this past year is that it is anything but predictable!





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Sunset on the Sound

I did bring my watercolors with me on our recent anniversary trip to Cape Hatteras, but I really didn’t do much in the way of painting, save for this quick and light-hearted attempt below (done when we were sitting on the beach).  It just wasn’t that kind of trip.

 watercolor of the Outer Banks, North Carolina

In fact, I even forgot to bring my camera, which is a real rarity for me! In a way it was a shame, because the B& B where we stayed had a fantastic vantage point on the sound, and provided us with some of the most beautiful sunsets we’d seen in a while.  In another way, taking a real vacation to just “be”, without feeling the need to work, was quite nice and very relaxing (though, believe me, there were times when the views were so compelling that the pull was strong!)

Our room had a view, so we’d sit on our balcony each evening and watch the sun set. I never tire of doing this. You can watch the setting sun from the same spot each evening and yet each time the experience is unique. It’s the best show in town, and the sky seems to delight itself in its endless variations.

In the end, it’s just as well that I left the camera at home, because the large majority of my amateur snapshots fail to capture the depth of color and the subtler transitions from sky to water. If not painting on the spot, the next best thing is to just sit and observe and to try and commit what I see to memory as best I can.  So that’s what I did. Once we got home, I painted this little watercolor from memory:

Watercolor landscape painting of the Outer Banks at sunset

“Sunset on the Sound”
Watercolor, 7×10″

sold





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More alla prima portraits

Following up on my previous post about the Rob Liberace’s portrait workshop, I thought I’d start this entry by posting my painting from day 2 of the class. This was a very different model from the one who sat for us on the first day:

alla prima portrait study by Jennifer Young

Portrait study- “The Captain”, Oil, 20×16″

I heard quite a few people calling this gentleman the Captain, but I’m not sure if they were doing so because he actually was a captain, or just looked like one! In any event, he was a riot and really seemed to get a kick out of sitting for us. He was an excellent model, able to stay still for an extraordinary amount of time (which he attributed to the fact that he was a long-time turkey hunter.)

I got a little further along with this portrait than I had done on the first day, though I think I had a bit of a handicap to overcome. I had toned this canvas rather too dark. Prior to the class we were sent instructions to tone our canvases in acrylic to a middle value gray. I’m ususally pretty good with my value judgements, but I’d not used acrylics in a long time and they seemed to dry darker than I had expected them to. 

This ground had me feeling like I had to do a good deal of extra work to get rid of it so that I could acheive the fair complexion and hair of this gentleman. Normally the middle value gray would be a nice gauge  for judging mid tones, but with this model’s coloration especially, the darker than mid gray tone was just not helpful.

This next portrait below was actually not done in the workshop, but comes from a session last week after I returned back home. I met up with a local portrait group that meets weekly here in Richmond. I have actually wanted to meet up with this group for quite a while but for some reason the mid-week evening sessions have not jived with my schedule. Any way, this is Joey:

alla prima portrait study by Jennifer Young

“Joey” (portrait study), 16×12, oil on linen

Since I knew we’d only have this model for a 3 hour segment of time, I thought I’d make it a little easier on myself by choosing a smaller canvas (toned in a light wash of burnt umber, on the spot). As it turned out, I didn’t get much farther with my level of finish; which is too bad because Joey had on a great oversized black leather jacket and was holding a guitar.

Nevertheless, I think this is my favorite alla prima portrait so far, as I was very happy with the likeness I was able to acheive. I  went about it in the same manner as the two previous studies, using same palette as I’d used in the portrait workshop. But this one just seemed to “click” a little better. Even though that electric blue could use some toning down around his jawline, I like what’s happening with the color sense and the brushwork.

I’m missing the portrait group’s meeting this week because I’m going to the Shins concert (woo hoo!) but I intend to keep up with them on as regular a basis as I am able. Whether or not I ever “do anything” formally with portraiture, I’ve made it my goal because I’m convinced that the challenge of working from the live model will improve my abilities to render and to see light and color more accurately overall.





Jennifer Young; Vibrant Landscapes
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