Category Archives: French Landscapes

Provence lavender lay-in (W.I.P.)

This has been my first real opportunity to paint in over a week. It has been really hot, muggy weather lately, so I’ve decided to stay close to the studio and scour some of my old photo archives for landscape subject matter. In doing so, I came upon some of my images of an area of Provence that I visited in lavender season almost 10 years ago (!) called La Drome Provencal. Here’s a 16×20″ composition I’ve mapped out:

Provence lavender landscape painting by Jennifer Young

I have more to flesh out in terms of both shadow/highlight and detail, but I’ve started with a basic block-in to nail down my composition.  Up to now, I’ve used the same color palette as the previous painting I posted of Lake Como. But when I started to lay in the lavender I had the overwhelming temptation to reach for a cooler, more transparent red (like alizarin crimson) to add some brilliance. I have held off up to now.

What I aim to see is if I can acheive  the proper color relationships in the painting without having to resort to any other colors than the three primaries I’ve chosen. Alizarin Crimson (permanent) has long been my default red when I paint in a single primary palette. While it is a beautiful transparent color, I sometimes feel it is almost too garish in my mixtures.

So I feel it is worthwhile to try and acheive a luminous, vibrant quality to my paintings without having to resort to over-the-top color. Being somewhat of a color slut, this is not an easy challenge for me! We’ll see if I can hold out to the bitter (better?) end!





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Rooftops, St. Cirq Lapopie (final)

I’ve been struggling with a killer cold or allergy or something for over a week now, so it’s really thrown me for a loop in the studio. But I have now finished the French village painting I have been blogging about in my last couple of posts (here and here). I did not have a chance to take any more progression shots due to the amount of time I lost, so my apologies to those who were following the progression of the work-in-progress.

French village landscape painting St Cirq Lapopie

“Rooftops, St. Cirq Lapopie”
Oil on Linen, 30×24″
Click here for details and purchasing info.

There was a certain quality of light I was after in this painting…a slight haziness that comes on a warm day when the sun begins to filter through the clouds after a soft rain (the weather when I visited there could best be described as “changeable”!) So there are a soft edges and  close values to tackle, especially in the middle and far distance.

St. Cirq Lapopie is a fortressed village dating back to the Middle Ages. Sitting high above the Lot River, it is, as I mentioned in my prior post,  dripping with so much charm that it really does invoke fairy tales of knights and damsels in distress!Narrow cobbled streets wind their way through cliffsides, leading up to a fortressed peak that allows stunning views of the steep tiled rooftops and the Lot valley.





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St. Cirq Rooftops WIP (cont’d)

As it turned out, there was too much weather and too little opportunity to do any plein air painting last week. But I have been plugging away at my studio painting of St. Cirq La Popie. The images below show my continued progress thus far.

Laying in my lightest passages, I worked on the sky and distant cliffs and ruins first. Next, I started on my rooftops. In this region, I noticed that there were a lot of gray-blue undertones along with the terra cotta-tiled rooftops, so I experimented with laying in a gray base to start. I am not really sure if doing so helped me or hindered me, but nothing ventured, nothing gained.

France landscape painting in progress by Jennifer Young

St. Cirq Lapopie

France landscape painting in progress by Jennifer Young

France landscape oil painting by Jennifer Young

At this point, I need to refine, work on the garden, and bring out my highlights, so this is what I’ll be working on today. This painting is all angles and not much actual landscape, so my progress has been a little slow going at times. Nevertheless, the composition and the concept interest me. I do miss plein air painting, but I have decided I need to make the most of being studio-bound by experimenting, working on new challenges,  and working out some new ideas. 





Jennifer Young; Vibrant Landscapes
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In the works- Rooftops, St. Cirq La Popie

Just thought I’d do a quick post of what is currently on my easel. It’s a 24×30″ painting of  a location I visited on my last trip to France; St. Cirq La Popie. St. Cirq La Popie is probably one of the most storybook-pretty villages in France that I have yet seen. I am actually hoping to do a little plein air painting today during baby E’s naptimes, so this will be brief. Let’s hope the nap gods are with me!

France landscape St. Cirq La Popie

 

France landscape St. Cirq La Popie





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Ciel Dore

Here are the final images for the French landscape painting-in-progress I’ve posted about recently (see the progression at this link and this one.)  As I mentioned before, at this stage in the game, my main “statement” has taken shape, so  it is all about refining the idea. It might not be evident in the previous photos, but when I returned to the easel to finish the painting, I felt that the greens in the grass and shrubs were looking a bit too light/bright and slightly too cool for the quality of the light I was aiming for. So the first thing I did was to warm all of that up to give it more of that late evening sun-kissed feeling.

Next, I worked on the shape, shadows and highlights of the foreground shrubs: 

France landscape painting in progress by Jennifer Young

Followed by some subtle shading on the pigeonniere and refining the edges of the background shrubs:

France painting work in progress Jennifer Young

My final decisions have to do with working out the shadows and highlights in the clouds to give them form. I was really reluctant to go back into the sky because I liked so much what was going on there and I didn’t want to mess with it too much. But, given the state of the rest of the painting, I felt that it really needed some further development. So I took a page from the lessons learned from my abstract expressionist art school days. Namely, that one should not hold any single portion of a painting as “too precious” if it doesn’t benefit the painting as a whole. I also have made minor alterations to the shapes of some of the clouds, and warmed up the sky at the horizon, because it was feeling a bit too cool for a sky that had so much warmth in the clouds.

France landscape oil painting by Jennifer Young

Here is the final. I kept the composition simple because I really decided to push the color in this piece and make this a sky painting. Since I was working from composite images and memory rather than from life, the challenge was to make the light cohesive with the drama going on in the sky. I feel like I’ve gotten a pretty good representation of what I set out to achieve, so I am happy with the outcome.

French landscape painting of the Lot Valley by Jennifer Young

“Ciel Dore” (Gilded Sky)
 Oil on Linen, 20×24″
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Jennifer Young; Vibrant Landscapes
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