Updates and shopping cart dilemmas

18 11 2009

Still here…though life has taken me on a series of little joy rides lately and sadly required time off from the studio, and out of the field as well. In the meantime, I have at least begun to work on my website again in the wee hours, and I’ve made some changes I’ve long intended to make.

I’ve cleaned up some code and have big plans for my site that are yet to come (as in a complete redesign!) But meanwhile, one of the immediate visible changes I’ve made was to add a plein air paintings section to my website. Here, finally, are the series of plein air paintings I’ve worked on over the last while, now in one place instead of scattered about on my blog and on a select few pages on my main site.

The other thing I’ve worked with over the last couple of weeks is experimenting with different online shopping carts– to the point of tearing out great swaths of hair. In the end, none of the “reasonably priced”, “easy to use” (read: hosted) shopping carts that I tested really worked for me, though there were  a few interesting options that I might have considered if I did not already have such an extensive website. One of the more interesting ones that seems to be used by a number of artists and creatives is Big Cartel.  It is a hosted cart, meaning that purchases would need to be made “off site”, away from the user’s website. If you’re an artist looking for such a solution, it might be worth a peek. From what I saw of it, it is attractive and fairly easy to use. One drawback, however, is that there is a product limit of 100, which is not much considering that if you would like to offer several options for one item (for instance, matted, framed, or unframed) they’d have to be listed as three separate products. Of course, there are many other possible e-commerce solutions as well (for artists and craftspeople, Etsy also comes to mind.) But all of the cheaper solutions tend to require that you upload all of your products to their site. Makes sense, I suppose. But for me it would be too time consuming and frankly pretty redundant, as I already have my paintings uploaded to both my site and blog.

In the end, it seemed just as easy to tear my hair out adding one-option  Paypal Buttons to my exisiting site. It ain’t fancy, but it’s a start. This update is made a little easier using WebAssist’s Paypal Extension for Dreamweaver.  My strategy is to start out by populating my site with shopping cart buttons for my smaller offerings, and then gradually work on adding them to all of my available paintings pages as time permits, with the hopes of making the site more online shopping-friendly. Only time will tell if it is a strategy that is worth the extra effort involved, but hopefully I’ll gather some clues so that I’ll know whether a more robust solution is worthwhile when it comes time to give my site a major overhaul. I’m still in the testing/updating stage for the simple shopping cart that exists now, but so far so good. Oh, and to kick off the cart, I’m offering free one-way shipping in the Continental U.S. for a limited time. :-). 

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Jennifer Young; Vibrant Landscapes
Oil Paintings and Art Prints Online
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Small works invitational

8 10 2009

There’s been a lot happening around here so unfortunately the blog neglect has continued! I do hope to ramp up to more regular posting (and painting!) by early next week. Meanwhile, here are two new little Key West pieces I’ve done for a small works holiday invitational that opens at the Miller Gallery on November 20th in Cincinnati.

key west oil painting by Jennifer Young

“The Shady Side”
Oil on Canvas, 6×8″

Key West oil painting by Jennifer Young

“Towering Bougainvilla”
Oil on Canvas, 6×8″

I am so honored to show my work in such a lovely looking gallery alongside artists of such fine caliber. Check them out!

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Jennifer Young; Vibrant Landscapes
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“All Things French” opens tonight

6 08 2009

Off to Greenville for the show opening. Y’all come! For those who can’t make it, here’s a slideshow recap of work I’ve delivered for the show:

Where: City Art Gallery, 511 Red Banks Rd., Greenville, NC 27858
When: Opening August 6, 6-8 PM. Show continues throught the month of August.
What: All Things French! Paintings from France travels by Jennifer Young and Hilarie Lambert

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Ahh, oops, ah-ha, and ouch!

31 07 2009

I have one more work to share today from the group I’ll be taking to North Carolina for the “All Things French” show next week. This was done alla prima. More fun with light and shadow, and lots of paint! Ah, it’s been such fun revisiting these lovely places through the act of painting them.

landscape painting southern france by Jennifer Young
“Coleurs dus Sud”
Oil on linen, 20×24″
sold

For this painting and the last one I posted, I experimented with an interesting double primary palette- Titanium white, Cad Yellow Pale, Golden Ochre (Rembrandt) , Organic Vermillion (Daniel Smith), Quinacridone Rose, Ultramarine Blue, and Manganese Blue (Old Holland).  I must say it was a lot of fun playing with these different colors. The gold ochre is dangerously lovely, and the organic vermillion was nice change up from cad. red light. In fact, it’s similar, but the tinting strength isn’t quite as strong so in some ways it was easier to use.

I went with this palette for a couple of reasons, but the key word is “economy”. First it’s an economy of time. The increasing pain in my arms was making it difficult to spend an inordinate amount of time mixing certain colors, even though I’ve learned enough about color mixing to know how to acheive most of what I need. I almost never use any color directly from the tube any way, but it helped to have a premixed earth, for the buildings for instance, and when such warmth in the scene predominates.

Second, it’s an economy of money. I mentioned before that I have a lot of art supplies that kind of fell by the wayside once I discovered some preferred methods and materials, but now I’m starting to revisit those supplies to try and economize where I can. All of the paints and substrates are archival, quality materials, but I do have some far-out tubes of colors–some dating back to before I started painting landscapes!

The paint department at the Lowe’s hardware store near our house has something they call the “oops bin”. These are mixed paints of specialty colors that presumably didn’t come out as expected. I guess you could say that I have my own ”oops bins”.  After limiting myself to nothing much larger than a double primary palette for years (without much variation), I think it’s time to mine some of these strange old friends. Maybe the “oops” will even lead to some ah-ha’s along the way!

p.s. I think I’m narrowing down what the problem in my arms might be. Unfortunately it’s not limited to just my arms and hands, but radiates from my neck and shoulders all the way down both sides. It’s taken a couple of days to write this post, so suffice it to say that my blogging will slow down a bit for a while. (I know I said that before but I really mean it this time!)  Sadly, I will probably have to take a brief rest from painting too. And gardening. I’m typically not too good at “resting” so let’s hope I don’t go nuts in the interim!

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Jennifer Young; Vibrant Landscapes
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Dusk Approaches

28 07 2009

If you’re tired of French paintings, don’t read this post! I’ve been on a roll. Here’s another one of the Dordogne, with my favorite light and a play of long shadows:

landscape painting of the French countryside with poppies 

“Dusk Approaches”
Oil on Linen, 20×24″ 

The paint is thick and it’s still a bit soft, but if it sets up enough to receive a retouch varnish, I may include it my show of French works that opens next week. This new piece was done on a rather rougher weave linen than I’m accustomed to using, but since I’m trying to economize, I’m working my way through the art supplies I have on hand (rather than just ordering more of my ’preferred’ materials.)

The linen is a quality product, just not as fine a weave as I normally like; so up to now these canvases have been collecting dust. It came stretched and pre-primed, but I did add a couple of extra coats of gesso  beforehand (with sanding in between) which helped to smooth the surface a little. But still its grip on the paint was significant, so some use of the palette knife came in mighty handy.

One of these days I will do a serious update to my website and post my new paintings there as well. But in the meantime, please contact me for purchasing info.

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Jennifer Young; Vibrant Landscapes
Oil Paintings and Art Prints Online
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