Paintings of France, Italy and Beyond

Over the holidays I finally seized the opportunity to head up to the National Gallery in Washington D.C. for the Turner show.  This traveling exhibition is a rare opportunity to see some 140 works by a true master of landscape painting (and, I might add, great-grandfather of abstraction). The show was wonderfully comprehensive, and featured so many of his larger scaled oil paintings as well as his intimate watercolors.

It’s probably an understatement to say that Turner seemed an interesting guy. His work showed a passionate interest in depicting disasters (caused both by nature and by man) in powerful compositions of dramatic color and light.  In painting after painting, one sees snow storms, shipwrecks, thunder, and fire swirling with emotion. The man must have been exhausted! I am not overly fond of the strong narrative element in many of his paintings, but even so, there is much to see and appreciate in these works. Turner was an artist concerned with social and political injustices both past and present and used narrative elements (both visually and in some of his ridiculously long painting titles) to make his points. He had some statements to make, that’s for sure.

Turner started out as an architectural draftsman, and mastered drawing at an early age. This was quite evident in his beautiful paintings of Rome and Venice (pictured above). And while paintings of pure landscape were minimal, there were more sublime pieces as well, where the narrative was limited and light was the subject. Some of my favorites of the larger oils were labeled as “studies” or ”unfinished”. I loved the way these were so fresh and stripped down to their simplified essence of light and color. He was a precursor to the Impressionists and truly ahead of his time. As explained in NGA exhibition supporting materials, these “incomplete” works were just that, and probably not meant for exhibition, but as preparations for “finished” paintings to present to collectors and the Academy. But we can appreciate them with our modern sensibility as works of art in their own right, as well as for their wonderful documentation of this artist’s processes.

While the oils were undeniably impressive and painted with skill and bravura, I personally found greatest delight in his watercolors. These just blew me away. Works ranged from highly finished watercolors with a lot of detail  and drawing, to quick expressive sketches (near abstractions) from his sketchbooks.

If you’re anywhere near D.C., you can catch this extraordinary show at the National Gallery’s West building through January 6th, 2008 . Check out this cool online exhibition preview at the NGA’s website! Next stops for the exhibition are Dallas and New York.

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Don’t let anyone tell you that hanging a show for a bunch of small works is an easy task. But after it was all in place, we were very happy with the results, and I’m glad to report that my husband and I are still married. Here are a few shots from the show, on view now through Jan. 30th:

When we were looking at this space for the gallery, one of the first things I noticed was this cute built-in. It’s a perfect display for my minis and my new line of watercolor/pen and inks. Here I’ve decorated it with some lights and mistle toe:

A close-up that shows some of the ornaments–I like the little silver and gold Christmas balls along the bottom shelf:

On the opposite wall are the landscape paintings of Venice and Lake Como:

Close-up shot of the mantlepiece decorated with paintings. To the left of the large Venetian landscape are a series of little square 6×6″ Lake Como paintings. Anyone who has read my blog for a while, or my squidoo lens on hanging art must know I’m a fan of grouping big and small paintings together like this. I’d love to do something similar over my fireplace mantle at home.

A small grouping from the next room of some of my more local autumn scenes:

I  guess that’s really all I had time for, photography-wise. I may share a few more snaps and I will definitely share more info on some of the individual pieces in the show very soon.

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This painting sold last night at my gallery exhibition preview, but it’s still on view tonight for the First Fridays downtown art walk. It is a companion to another Tuscany painting I blogged about a couple of days ago:

“Lingering Light, Tuscany II”
Oil on linen, about 3.5″ x 7.75″

If you’re doing the downtown art walk tonight in Richmond, come by Jennifer Young Studio & Gallery and see all of the “Small Stuff” — miniature paintings and prints –on display for the holiday season. The gallery is located at 16 East Main Street between 1st and Foushee.

If you’re not in Richmond, I am continually uploading new paintings to my web gallery, or you can see them offered first here, on the blog. I’m also offering free shipping (with some restrictions) until the end of the year, for holiday shopping convenience.

Useful links:

Ideas for hanging “small stuff”
How I pack paintings for shipping
My purchasing FAQ’s
My gallery information (and virtual tour)

Jennifer Young; Vibrant Landscapes
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Though the subject matter is vast and expansive, this painting is tiny. I enjoy the looseness of it. With a painting this size you can’t help but be loose! The little gondolier and other people were a challenge, so I resorted to a size 0 brush in some places:

“Grand Venice”
Oil on Canvas, 4×5″

The image is about true to size. Painted on a mini gallery wrapped canvas with edges painted a near black (the gondola color). This is offered on its own or with an accompanying mini easel. Additional pictures and info will be added to the website later, but you saw it here first. Please contact me for all the details.  Available to ship this weekend, after my openings Thursday and Friday. Update: just sold! To see the other small works I still have available for sale, please click here and here.

Jennifer Young; Vibrant Landscapes
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More “small stuff” today as I continue preparations for Thursday night’s gallery anniversary party and the First Fridays Art Walk that follows. This little painting shows the setting Tuscan sun over a sloping grove of olive trees .  There is a companion to this little painting that I’ll try to post soon. 

 ”Lingering Light, Tuscany”
Oil on Linen mounted on birchboard
Approx. 3.5″ x 7.75″
Click for more info.

It’s an odd size, I know, but I do have a frame for it. It would also look great unframed, just perched on a mini easel.

I am enjoying the long horizontal format I’ve used in these pieces and in my previous painting of Venice. That’s the great thing about making small works–you can experiment with formats and compositions (mediums too) with less sweat, tears, and expense than is sometimes required of a large canvas. And if they don’t work out, they fit into the trashbin  a whole lot easier! I think this one’s a keeper though. ;-) 

Jennifer Young; Vibrant Landscapes
Oil Paintings and Art Prints Online
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