A new start in 2017

Happy New Year everyone! Yes I know that's a bit late, but we are trying hard to shake off the fun and lazy days of winter break and get back in the routine of waking up early to report to work and school. Since my daughter was home on break, I gave up on the idea that I'd get any real work done and took that time off leading up to Christmas to devote to family. As much as I love painting, I had such a sweet time hanging with my daughter.

Nevertheless, there is a time and a season, and now I'm back to work and it's time for some art! We are settling into winter in Virginia, and it's prime time for hibernating and lot more work in the studio. I have done a lot of small works this past summer and fall, so I'm upping the scale for a while inside.  I'm starting out by picking back up with the James River Park theme.  This is a 24x30" piece of the section of the park known as Pony Pasture. I painted a small piece at roughly the same location in the fall, though this new view is what I saw when I turned my head to the left.

I like this idea of peeking out at the river through the trees. We will see if what I have in my mind can be successfully executed on canvas.

One of my favorite things about locations along the river banks are the trees. Years of the water's ebb and flow at the river's edge has left many of the tree roots bare. Roots stretch out like tentacles clutching the land, and yet these large trees manage to hang on.

Happy holidays!

I've been taking a little hiatus to spend time with my family during the season, but I just wanted to wish you all a very Merry Christmas and a joyous holiday season.

Thanks so much for following me and my work. I look forward to connecting with you in the new year. May it be peaceful and happy!

"All is Quiet", oil on linen, 8x8" 

All my best, Jennifer

Happy Thanksgiving!

Happy Thanksgiving everyone! Before we head over the river and through the woods to commune with our family, I thought I share this little series of beach paintings I completed last week for the Annual Miniature Show Opening December 1st at Gallery Flux. Each image is just  6x6". While they are a little "off season" for us here in Virginia, the overarching theme that was at the forefront of my mind was one of family and friendship. So in that sense, they seem a good way to herald in the Thanksgiving holiday.

These are some crazy and tumultuous times we are experiencing right now in America, which makes our bonds and connections with each other all that much more important. Enjoy your time with loved ones today, in what ever way you observe Thanksgiving. I know I am incredibly thankful for my own personal relationships, which includes each of you who have connected with me through art. In friendship- Jennifer
 

Plein air odds and ends

In this post I thought I'd share a little about some of the tools I carry with me in my plein air pack. Some are specifically designed for the plein air artist, and some I have co-opted for my own nefarious purposes. ;-) This first photo shows a picture of my current setup: 

My paint box is one I have mentioned before, but I love it so much I will say it again! It's the Coulter Easel. It is so quick to set up and simple to use. It has lots of work space for color mixing as well. Mine is the Compact model. Coulter's site offers other sizes as well, but I felt that this model was the most versatile for me as while it is lightweight, it doesn't compromise valuable workspace. As for the other items in this photo, I will list them in a clockwise manner. 

• A mini sun shield that closes up flat into a small circle. I use this to cast a shade on my palette so that I don't get the glare of sunlight on it. I do have an umbrella, but many times depending on how I position myself, this little shade is all I need. When I do find the need for an umbrella, the model I use is Bestbrella. It works great for me.  
• An envelope-style brush holder.  Called a "brush wallet", this style brush holder comes with a loop at the top, which I loop onto my tripod handle. I like this brush holder because I can tuck this in behind my palette and have my brushes handy without taking up space on my paint box. (*Note- I couldn't find a source for my brush holder. I bought it a number of years ago and I am thinking I bought it from
• A couple of zip-up pencil bags to carry my paints. In one I carry my large tube of white, my mediums (more about that in a minute) my paint scraper, and palette knife. In another I carry all of my other oil colors.  
• A bungee cord to hold my paper towels. The hooks on the bungee loop right over the lip of the paint box.  
• A mini trash can. This is something I picked up in the automotive section of a big box store. Like the sun shield it also twists down into a little circle. It stays closed with an elastic band that is attached to the plastic rim. A plastic shopping bag will work in a pinch, but I prefer this style holder over the plastic bag because it doesn't blow around in the wind and remains open as I'm working. This little model came with a plastic loop on the top that I used to thread the bungee cord through, eliminating the need for clips or clamps.
• Protective gloves for my hands. As you can see, by my brush handles, I'm not the neatest painter around, so gloves are a must for me. I became allergic to both latex and nitrile gloves, so the gloves I use are actually food grade gloves by Platex. They are the only semi-sturdy gloves that I don't react to. They actually hold up great. One benefit to these gloves is that I can get them in the grocery store when I'm grocery shopping, so I don't have to make a special trip to the hardware store when I run out. 
• A small cat food can. I use this little can to hold a small amount of  Gamsol that I use to thin my paint in the very beginning stages of painting. I just pour in a little amount at a time, so when I'm done painting for the day I can just wipe out the can and pack it away.
• A small eyedropper for holding the Gamsol. I'm using an eye dropper because it's small and it's what I had on hand, but any small solvent-safe container will do. Gone are my days of carrying around those heavy metal turp containers.  Check the next photo to find out why. 

• Gamblin Solvent-free Gel. Okay, I am not painting completely solvent-free, as I prefer a thinned-down , lean application in the beginning for my preliminary drawing. I use Gamblin's Solvent-free Fluid in the studio, but I prefer the gel in my plein air pack as the fewer liquids I have to worry about spilling the better. You can even use this stuff to clean off your brushes between colors and just wash them all up with soap and water back home in the studio. 
• A view finder. There are various offerings on the market, but I prefer this simple model. The little lever moves up and down to change the proportions. Several popular sizes are marked on the view finder (9x12, 8x10, 12x16, Etc.) The little holes in the view finder also serve as color isolators as well. 

This is not a comprehensive list but it covers most things. There may be a few other odds and ends to discuss, and if I come across them I will definitely share them here on the blog. 

Take me to the river

The fall weather and colors  have been pretty spectacular this year for plein air painting, so I have a little backlog of images to post as a result. The first two paintings were done last week at a paint out with the Virginia Plein Air Painters group. This is a great group that gathers once a month (sometimes more) from spring through fall to paint together en plein air. The great thing about this group is that members will organize unique locations within about an hour of Richmond. Some sites are public, but others are on private property that can't be accessed ordinarily. Such was the case with this location.

The owner of the property happened to be a Zen garden and landscape designer who allowed us to paint on her sprawling property fronting the South Anna River. There were so many beautiful compositions to be made that it was really hard deciding what to paint. But since I wanted to take advantage of the autumn foliage and the play of light across the sparkling water, I was most drawn to the natural settings along the river bank.

This was my morning effort:

"Autumn on the South Anna River", Oil on linen, 9x12" ©Jennifer E Young

I had such a great time with that one that after a quick brown bag lunch I decided to try another river painting a little further upstream:

A few days went by when I couldn't get back outside, but I kept thinking about how satisfying it was to be painting down by the river. Especially in the fall, where the vibrancy of the light is at an all time high. This has to do with both the lower angle of the light at this time of year, and the way coolness of the blues and purples in the shadows so naturally play compliment to the autumn hues of gold, orange and red.

Yesterday was my next opportunity to revel in all of that beautiful light and color. I couldn't finagle my way back onto the South Anna River property without a proper invitation, so I decided to return to Pony Pasture, the same section of the James River Park system that I visited in my prior blog post.

"Sun-kissed", Oil on canvas, 6x8" ©Jennifer E Young

As lovely as it is, the autumn light tends to move faster than the spring and summer, and I only had time to do a small one this time before making the trek back to Ashland.  But at least I got my fix. I can't promise I'm done, though; the weather's supposed to be pretty nice for the next few days, and winter lurks just around the corner.