Update on the Ansouis painting in progress

Now that we have some real Christmas deadlines looming, I've decided to give the self-hosted auctions a rest for a while. Thanks so much to those who bid and followed my auctions! It's been an interesting little experiment that I might revisit in 2014. But it was a lot more time consuming than I imagined, at a period in my life when it is a challenge just to maintain a normal studio schedule. Meanwhile, the painting of Ansouis is still on the easel (case in point!) Here are the latest progress shots:

  So now I have the whole canvas covered. I started in on some of the details sooner than I would have liked, but there were a few breaks in the continuity of my painting sessions that compelled me to tackle certain areas while they were still wet. Over the next session or two I'll be finalizing the background mountains and fleshing out the flowerbeds. I'm going to do my best to finish this up in advance of Christmas. School's out for a couple of weeks for Christmas break so my studio time is about to get a lot more dicey.

Ansouis (W.I.P.- continued)

Here's some progress to report on the composition I sketched out in my last post.

After laying in the sky and distant mountains, I set out to establish the broad areas of light and dark in the painting. I'm really trying to think of my composition in terms of underlying masses of light and shadow, and not just a group of individual objects.

I'm using a broad palette of colors- my usual red, yellow, and blue, plus cad. orange, cad. red, permanent rose, sevres blue, as well as two earths; gold ochre and burnt sienna (for the tonal sketch) and, of course, white (titanium).

This is as far as I got today- about 2 1/2 - 3 hours' work- before it was time to pick up my daughter from preschool.

I'd really rather not allow this to set up, as this is my "first pass," and there is so much more to lay in. I am going to try and work on this again tonight after my little girl falls asleep, but I'm not normally good for much creative work after wearing the "mom hat" in the evenings. We will see. Otherwise my next dedicated painting day will be Friday, and I'm afraid it may be too tacky for my liking by then.

Ansouis/French village painting in the works

Note: I have gotten word that some users are having difficulties placing bids on my auctions. I believe I have fixed the issue now (the bid button was missing!) But if you have attempted to bid unsuccessfully, or if you are having any issues now, can you please contact me and let me know about your issue? Now, on to the new painting! Not a great photo here, but I'm doing a bit of mobile blogging and the image editing options on my phone aren't optimal. Nevertheless, I  thought I'd share the rough sketch I've started on a 20x24" canvas of a French provincial village street scene.  Even though I mapped out the composition more or less to scale in advance, it took a little more editing than usual  to get the layout the way I wanted it (the first pass had things too centered).

The plan for this painting is to portray a square in the center of the charming village of Ansouis. I have a busy next few days with family, but I hope to be able to get back to this soon. I'll post further developments as they unfold!

The Potted Garden, Pienza (painting complete)

With school out for the Thanksgiving holiday, my studio time has been a little dicey. But now that we are back in session I have managed to wrap up my posting about the Pienza painting from earlier last week. Before I dive into painting the potted plants, I finish up the main architectural features of the painting-- the final touches on the windows and doors, and completing the distant bench.

 Now let's move onto the flowers!

Here is the final:

"The Potted Garden, Pienza" Oil on panel, 12x12" Click here for more info!

The hill town of Pienza is lovely for a number of reasons. First, it overlooks the gorgeous Tuscan valley called the Val d'Orcia. Second, like so many of these small towns,  the whole village is oozing with charm and dripping with flowers, just like the scene I have painted. Third, it is the home of Pecorino cheese! Need I say more?

New Key West auction posted!

Congratulations to Barbara T. for winning this auction!

"The Shady Side" Oil on Canvas Panel, 6x8"

When things heat up from the tropical sun, a shady verandah is just the thing--especially if that verandah is in Key West, and you can imagine yourself there sipping a nice cool beverage! This little painting of Key West conch houses may help you to do just that.  This painting would retail for $375 (unframed).  Now is your chance to win a slice of sunshine for yourself, at a great price! This original oil painting on canvas panel by Jennifer E. Young measures 6×8" (a perfect size to fit under the Christmas tree!) Unframed, it is signed by the artist, lower right. To begin bidding, enter your bid in the auction module in the sidebar of this blog. Here’s how it works:

• All auctioned items are offered unframed.
• The opening bid for this painting is just $100 (a fraction of my retail price).
• Bids increment by $25
• Highest bidder at the auction’s end wins the painting.
• When the auction has ended, I will send the winning bidder a Paypal invoice.
• I ship via U.S. mail within 3 days or less of receiving cleared payment.
• Free shipping in the continental USA!
• Visit my auctions page for more details

Shadows, doors and floors

Here is a little progress on my painting of the Tuscan street scene I posted a sketch of in my last entry. Now that I have my design, I am ready to start laying in some color. My palette is fairly expansive, which I tend to do in the studio when I am more pressed for time. Here I'm using a few convenience colors in addition to my basic primary palette of red/yellow/blue. My colors for this piece are Titanium White, Cad Yellow light, Cadmium Red Light and Medium, Alizarin Permanent, Ultramarine Blue, Sevres Blue, (Rembrandt- kind of like Cerulean but a bit brighter with more tinting strength),  Gold Ochre (also Rembrandt brand- like Raw Sienna but warmer and more golden; yum) and Burnt Sienna (tonal sketch only). I start by laying in more concretely the pattern of shadow and light. I really love the way the shadows from the potted flowers spill onto the stone wall and red door:

 I use lots of the Gold Ochre for the wall, mixed with both blues and Alizarin in varying degrees, as the stone has lots of warmth but lots of variation in it too. For the door I started out with pure Cadmium Reds in the sunlit area, but whoa! I then decided to mute this a bit with touches of white and a tiny bit of yellow plus Sevres Blue to give it a more authentic sun-washed look. The door in shadow is a mix of Cad Red Medium, plus Ultramarine and Alizarin.  Next I start to lay in some of stone bench:

As you can see, I use violets in the shadows (Ultramarine Blue and Alizarin, plus touches of  white and yellow) to contrast with the bright warmth of the sunlit stone.

The bench established, I add a little more texture to the stone wall and then begin to lay some pavers. Even though they are terra cotta- colored pavers, they are still very light in value in relation to the wall. I've cooled them off with a bit of  Sevres Blue as they recede, to send them back and lay them down where they belong. Next I'll start working on the potted plants and add some more color to the scene. Stay tuned!

New Italian village painting

I really enjoyed the square format of my last painting, so I thought I'd experiment with another one--this time set in the rustic hill town of Pienza in Tuscany, Italy. Here's the compositional sketch so far. I threw a  lot of angles and right edges in there to make it interesting. ;-)

Dancing Light in Ansouis

My recent experiments with painting small inspired me to look again at some of the little pieces I have done in the past. Why not, I thought? They may not all translate well to a larger canvas, but in many instances with the composition and color work already fleshed out, they provide great jumping off points for further development.

"Dancing Light, Ansouis" Oil on Canvas, 12x12" Click here for more info! Contact me to purchase!

This painting is based on a compositional study of a charming little Provencal window that I did a while back. The scene is from Ansouis, a beautiful little village with flowers tucked in every nook and cranny, and gorgeous painted shutters and doors perfectly washed by the sun.

Speaking of small works, there is still time to bid on my current auction, also of Provence in spring. The auction ends Sunday evening at 9 PM, EST.

New auction of Provence

"Springtime at the Chateau de Lourmarin" Oil on panel, 6x6"

Technical difficulties on my blog last week didn't exactly create a seamless experience for my first auction. But I'm trying again with a new feature that I think will work much better. This week's auction is  a sweet 6x6" Provence landscape. Click over to the auction page for all of the details. Or if you simply can't wait, start bidding in the sidebar to the right of my blog! Congratulations to Pat H. for winning this auction!

Ancient Hills, Golden Valley

My latest sunflower landscape painting (the start of which I posted here) has actually been finished for a while. But once again I have been delinquent in posting. To make up for that fact, I offer you a slideshow of this painting, start-to-finish:

This painting measuring 20x24" is entitled "Ancient Hills, Golden Valley". For more information and/or to purchase, click here or contact me!

Sunflowers!

I've needed some cheering up lately, so yesterday I started a new painting of Tuscan sunflowers. It's nearly impossible to frown while beholding a sea of sunflowers, right?

Feeling better already :-)

Another garden plein air

Here is this week's plein air effort, once again at the botanical gardens:

It's incomplete as I started late and had to close shop before the two-hour mark. It was a beautiful morning, but the light quickly shifted from sun to overcast clouds, making my previously well delineated, high contrast subject suddenly a muddled mass of leaves and confusion.

Or maybe it was just my mind that was muddled? Every so often the light would peek back out, but not quite often enough to provide the kind of clarity I needed. In any case, this is as far as I got before I had to call it quits and pay the babysitter.

I painted this general location some time ago, though the arrangement (and light) was different. I had planned on painting another setting, but a large group was visiting the gardens this morning and had taken over my spot, foiling my plans.

Being short on time I decided to take another stab at this scene. I'm not sure if I will finish this piece. I may just treat it as an artifact of the morning's experience to learn from as I look forward to the next outing.

Plein air with the birds!

I spent two and a half hours yesterday morning literally contemplating the birds and bees at the Lewis Ginter Botanical Gardens. And of course, painting (which is the reason for this post!) I have watched this garden grow over the years that I have lived nearby, and it has become one of my favorite places to wander and paint. In fact, it has recently been awarded one of the "top 10 gardens worth traveling for" , and I feel really fortunate to be just down the road. At the far end of the garden, through the "woodland walk", one can come upon this little scene; it is a sanctuary for birds, butterflies, bees, and maybe even a human or two:

"Garden Sanctuary" Oil on Canvas, 12x9" Click here for more info!

I have really missed plein air painting. It takes me beyond "production mode" and more deeply into the experience of painting nature. After yesterday's session I made a resolution; my goal for the next 60 days is to paint en plein air once a week. There may be a week here and there that my mommy duties will have to take precedence, but generally speaking I think this is a manageable goal. So if you notice me falling off task, you have my permission to nag, or slap me with a wet noodle--your choice! ;-)

Painting my garden

The gardens around my studio and house are really picking up steam with summer blooms. I think it's best described as a cottage garden, and borders on chaotic at times. This is the same spot I shared with you in early spring...much improved now, I think!

My little "fountain" of succulents in the garden opposite the studio is now surrounded by a flowering butterfly bush, purple cone flowers and towering lilies (just about to bloom) And here's Ted, alternately my garden cat and studio cat. He likes to support me whenever I am being industrious:

With such an easy access garden, you'd think I'd paint it a lot more often than I do. I mean, you really can't get any more convenient when it comes to a plein air painting location! But there are a couple of challenges to overcome. First, the light moves pretty quickly in my little oasis,really only remaining constant for less than 2 hours. Inevitably even small paintings seem to require more than one session. Secondly, while I do have some painting time during the week while my little girl is with a sitter, any time she sees me painting outside she wants to "watch" (which quickly evolves into wanting me to push her on the swing, blow bubbles, etc.)

Nevertheless, I did get an opportunity over the July 4th weekend to complete this painting in the yard while Dad distracted DD:

"The Cottage Garden" Oil on panel, 12x9" Contact me for more info!

Commissioned paintings for Frances Mayes' Tuscan Sun Wines

Speaking of commissions, I thought I would share a few details of what for me was a rather exciting (and consuming) commission this past winter:

Tuscan Sun Wines, LLC of Denver, Colorado, commissioned me to create seven paintings of the Italian countryside for their exclusive use on a new line of wine labels for writer Frances Mayes, author of Under the Tuscan Sun.

 

Each of the seven oil paintings portrays a theme that is central to life in Cortona, Tuscany and “Bramasole,” Mayes villa made famous by Under the Tuscan Sun. Listed here are pictures of my favorite pieces completed for this project. If you follow this link it will take you to the wine distributors website where you can see how the paintings look on finished labels!

Promenade sur la Rue Claude Monet

Well life has taken an interesting turn for me this past month. My lack of posting would suggest that I have been away from the studio, but that is not the case. In fact, I feel as if I have become a permanent studio fixture, getting up at 5 a.m. and painting whenever I can find the hours before and after the hubby goes to work and my daughter goes to sleep. "But where are the paintings, then?", you may ask. Well, the work I'm referring to is more commercial in nature. I can perhaps post more on that in time, but not at the moment. Suffice it to say, that up to now,  I haven't had much time for my own "personal" work this year.

Nevertheless, things are normalizing (for now), and I have been able to return to my easel to finish a painting I started some time around New Year's Day.

"Promenade sur la Rue Claude Monet" Oil on linen, 11x14" To purchase, please contact me!

Hollyhocks always make me think of France. I have tried growing them in my own garden but they always seem to get overtaken by rust. Maybe my garden is altogether too crowded or too moist, because in many parts of France they always seem to be growing out of what looks to me to be dry rock! This is a street in Giverny that leads to Claude Monet's famous home and gardens. The street is aptly named Rue Claude Monet, and is itself the subject for many potential paintings. I will add updated info about this painting to my website later today, but for now, please contact me with any inquiries.

Balbianello Gardens (W.I.P complete)

Well, it just hasn't been my couple of weeks. Between family sickness, election day, and bracing for hurricane Sandy (which thankfully turned out to be the hurricane that wasn't for us in Richmond) my daughter missed some preschool, which meant no painting or blogging for me. Finally I am back to it, though, and happily share the completion of the Lake Como painting I blogged about in my last post:

"View From Balbianello Gardens" Oil on linen, 16x20"

This painting places the viewer at the edge of the gardens of the famous Villa Balbianello. A procession of Baroque statuary lines the garden's perimeter and looks out across blue waters to the distant harbor of a neighboring village. When I returned to the easel today,  I decided something was needed in the middle distance to anchor the right side of the painting and create some balance. And so a sailboat was born.

I like this addition very much. It creates some interest for the water and pushes the distant village and mountains back through the use of overlapping form. I also felt like the line of statues led the eye to that spot, and the fact that there was nothing there troubled me. It's funny how one little thing like that can bring a painting to a satisfying resolution.

Balbianello Gardens w.i.p

After the time requirements of my last painting, I thought I would reward myself this week with some smaller pieces for a while. Halloween came early to our house in the form of a nasty virus that has rendered us all coughing, sneezing zombies (the littlest of which apparently doesn't sleep much at night with a cold). Needless to say,  I am really dragging this week. Nevertheless, I've managed a little studio time, and here is my painting in progress ( a 16x20" canvas)  of the beautiful gardens of Villa Balbianello.

I did a painting of the villa itself a while ago, (which you can see here) but this view is from the edge of its magnificent gardens, looking beyond the statuary towards the distant village across the lake .

This is one session worth of work (about 3 hours). I will probably need another session of a couple of hours to finish. The punkin' seems to be dropping her naps more and more these days (say it ain't so!) but if I can squeeze another nap out of her today, I might actually be able to complete it.

Still no  plein air painting this fall, though we are fast approaching the height of color here in Richmond. :( I could give myself lots of excuses for this, but bottom line is,  I  guess I haven't been able to get myself organized enough to have enough time for field work . Mornings are so chaotic, and  I'd really need to be out of the door  when it's still dark outside, and have my location planned out in advance, in order to be back at my daughter's preschool for pick-up  at noon. It's frustrating, but  I'll tell you one thing... I have never been happier to have my studio right in the back yard instead of halfway across town like it used to be!

French country garden painting complete

Whew! I had a lot of starts and stops with this painting, but it's finished.There were times when I really needed to scrape whole portions of it down because there was too much buildup to make adjustments. It brought to mind a quote attributed to Everett Raymond Kinstler that I read recently in a very good article by Bill Davidson posted on the Oil Painters of America blog,

“I start out in this way thinking, ‘this will be the greatest painting of this subject matter ever painted.’ Later in the process I think, ‘this will be the greatest painting of this subject matter I ever painted,’ and finally I think, ‘Hell! I hope I can save this painting!’ [paraphrased]”

Now I can't say that I've so far stated anything close to the first sentence of that quote, but the progression of feeling from confidence to doubt certainly rings true, especially when there is a lot of time invested in a piece.

"Quiet Reflection, Southern France" Oil on Linen, 20x24"

The subject matter is the dappled morning light as it plays across a part of an old convent building and surrounding water garden. This place is now converted to a B&B and venue for painting holidays  (aptly named Le Vieux Couvent) in the town of Frayssinet, France. I blogged about my visit there numerous times. It is a lovely place that I remember with great fondness.

...And now,I'm going to get  a bit off topic by asking a favor of my readers. I seem to be having some trouble having my posts delivered to subscribers by email. So if you actually do happen to receive this post via your email subscription, could you please let me know?

The Path to the Pink House

Finally  (maybe?)  this painting is complete. I am taking it off of the easel at any rate and giving it a rest, as I feel like I have been looking at it for so long  that I can't see it properly any more.

"Path to the Pink House" Oil on Canvas, 18x24" To purchase, please contact me!

This is one of the many wildly colorful garden paths leading up to "The Pink House" (Monet's).  I softened the house and left out some of the finer detail because I wanted it to sit back more in the painting. The scene is set in the diffused light that was so typical of the humid atmosphere we experienced during our visit to Giverny.