Commit to the feeling not the photo

So I have been working on this 24x30” canvas off and on for some time. It was actually based on a series of photos I took on a drive not far from my home. I was after a particular feeling I had witnessing a warm, glowing evening sky in Hanover County filled with spectacular clouds.

It is oh too easy though to get lost in the details, and that is exactly what I did! The clouds became too busy. The highlights lacked color. The landscape below needed something. Ultimately I took a big ole squeegee over the whole thing and scraped the paint and blurred a lot of the details out. I took an oil pastel to it. I greatly simplified the clouds and kicked up the color a bit. None of that completed it, but it felt good and liberating, if still unresolved.

At that point I just took it off the easel and faced it against the wall, deciding to just move on to other pastures for a while. I came across it again the other day as I was cleaning my studio, and looked at it with fresh eyes. “Hey that really might be worth another go," I thought. I scoured my photo references for inspiration and found these grazers lit up with a golden light. I thought they would be perfect to lead the eye into the painting without detracting too much from my big sky.

“Gilded Grazers,” Oil on linen, 24x36” (SOLD) ©Jennifer E Young

When I paint landscapes from photos in the studio, (which is really quite often these days due to my requirements at home) I try to go more for the feeling than the photo(s). This is my chance to play with color and composition and not be a slave to recording what the photograph has already attempted. I really ended up having fun with this piece. I enjoyed the play of colors and painterly energy. I enjoyed being willing to lose what I had done in order to make it better. And finally, I appreciated the cows for bringing it all home.

Butter and Buttercups

Each year in early spring the rural counties in Virginia are blanketed with sunny yellow buttercups, and each year I vow to get outside and paint them in the field. More often than not though, I miss their brief appearance for one reason or another. It’s a busy time at my daughter’s school, or I am preparing for a show, or moving, etc., etc., etc.) This year I got lucky, thanks to the sweet tip I received from my husband, who spotted this location on his morning drive to work. 

"Butter and Buttercups", Oil on linen, 9x12" ©Jennifer E Young

This dairy farm is about 20 minutes from my home in Ashland, out in rural Hanover County just past historic Hanover Tavern. I started out painting the barn and fields, cowless, with a plan of perhaps adding the cows later from photos I took on site. Just toward the end of my session though, the cows obliged, and ambeled over long enough for me to paint a suggestion of their general shape and position. I decided to leave them as I painted them in the field, as I felt the handling was consistent with the rest of the painting.

A W.I.P in the midst of a blizzard!

Here on the east coast we have been experiencing a significant snow storm.  We've been pretty much home bound this weekend, only venturing out into the back yard to get blasted with wind and snow right in the kisser. It's been far too windy outside to try and paint Plein Air, so I have attempted a couple of "Plein Kitchens" instead. I'm still noodling with those, but if they happen to turn out I will post them here on the blog. Once the wind dies down and the sun comes out (as it's supposed to tomorrow) I intend to will venture out and brave the cold to paint the winter wonderland. Here's what I was working on Friday, though, before my van got buried under a giant snow drift:

WIP (title TBD) Oil on linen, 24x30" ©Jennifer E Young

I still have quite a bit of work to do on it but I have been enjoying the way it has unfolded so far. This is another piece inspired by my trip in the fall to Floyd, VA for the Plein Air Crush event. It was pretty crazy weather there too much of the time, with lots of threatening rain clouds and wind (oh the wind!) But here and there I saw breaks, and whenever I did I tried to take lots of reference photos of this beautiful area. I'm not sure how soon I can dig myself out of the house and make it back over to the studio, but I will post an update when I do.