Paintings of France, Italy and Beyond

In spite of the tremendous summer storms we’ve had lately, I’ve managed to get out for a a plein air painting session at another of our local parks along the James River:

“Afternoon at Pumphouse Park”
Oil on Canvas, 9×12″
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Pumphouse Park, which once generated drinking water for the city of Richmond, is the site of a large and very interesting neo-gothic stone pump house that has now fallen into disuse and disrepair. But word has it that volunteers are gradually restoring it so that one day it can be used again for something. According to the Discover Richmond website it was quite a social center at one time:

“In the heyday of the Pump House, debutantes dressed in Victorian-era hoop skirts glided with their dates on the pine dance floor of an elegant open-air ballroom overlooking the gentle rapids of the James River.”

The park sits just behind the “nickel bridge” (which I believe now has a toll of 50 cents, so you can tell how long I’ve lived here!) It runs along the James River, and it would have been a nice access point to paint the sunset. But I couldn’t find any public river access here. The only thing I found was a path that was barred by a chained fence and a posted sign reading “Property of CSX”. Access denied! Grrr. I would have been pretty grumpy about the whole situation except that just as I turned back towards the pump house I saw a bunny!

Jennifer Young; Vibrant Landscapes
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 After a summer break (of sorts) I’m getting back to a more regular painting schedule this week. To kick it off, I’ll share a little plein air painting I did last Thursday at James River. I painted this at the foot of the Lee Bridge, near the entrance to Belle Isle section of the James River Park System in my town, Richmond, VA. 

“Rambling River”
Oil on Multimedia ArtBoard, 6×12″
Click here for more info.

It was really a beautiful evening last Thursday, but it was also incredibly windy. I had packed my lighter plein air painting setup with the intention of backpacking it across the footbridge over to Belle Isle to do some afternoon painting. But from past experience, I was afraid that the wind would have blown my nifty little lightweight pochade setup completely away. So I decided to save myself the aggravation and instead went back to my studio to get my sturdier Soltek. Whatever problems I’ve had with this easel, it stands up great against the wind. But just to be safe, I returned to set up near a bank of trees on the “mainland”, giving me a little bit more shelter.

All of this meant that I got started later, but as it turned out, the timing was just right–The light was just beautiful and turned the river rocks a beautiful rosy gold . Dinner could wait (apologies to the D.H.!)

Jennifer Young; Vibrant Landscapes
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Being heavily immersed in summer activities I’m afraid I’ve kind of fallen off the blog wagon lately. But things have been happening behind the scenes, and I’d thought I’d share a few interesting tidbits of what’s coming down the pike.

• France in 2009!
  I’ve just gotten the word that my dates for a 10 day plein air painting workshop at Le Vieux Couvent have been confirmed! If you’ve been reading my blog, you’ve already heard my raves about this beautiful, enchanting part of Southern France.

I’m excited to have the opportunity to take a group there myself, for 10 days of painting, touring, eating, and just soaking in the atmosphere. Dates are June 3-13, 2009. This year during that time period I had word from the workshop host that the poppies were in full bloom and the roses were going crazy in the garden. I’m preparing my brochure now and should have it up on my website by next week. If you have an interest in joining me for this wonderful creative adventure, please check back, or just contact me and I’ll send you a brochure with all the details as soon it’s done

•  Moving ahead.
  Well it just seemed like yesterday that I moved into my beautiful gallery space, but the time has come for me to make another move. I don’t have a lot of details to share yet, but come fall I will be letting go of the downtown gallery location. I’m sure I’ll be writing on that in the weeks ahead but a lot of details need to be ironed out before I really have anything solid to share.
•  Warm up to Plein Air!
  Since the time of my last workshop this past spring, I’ve received a number of inquiries asking when I’d be having another class. Due to the aforementioned upcoming move, I had to wait a bit to schedule anything solid. But here’s what I’d like to do: In September I’d like to offer some one-day plein air modules in the Richmond area that I’m calling “Warm up to Plein Air.”  If you are a painter who has always wanted to try plein air painting, this will be a fun opportunity to give it a shot. Experienced plein air painters can benefit as well, as this day-long module will include a demo and time for painting. We’ll talk about the tools of the trade that I’ve found useful, plus tips to make the most of your time outdoors. I’m limiting these modules to a very small size so we can make the most of our time together. Dates and details will be posted on my website, hopefully also by next week. Meantime, feel free to contact me if you’re interested.

Jennifer Young; Vibrant Landscapes
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I’ve been taking some time off to deal with matters at home these last few, but I still have a few paintings to share from my France trip. If you’ve spent any time on my website, you might have noticed that this little plein air is a subject that is a familiar to me–poppies!  In they south of France they are seen profusely in springtime. But, as with sunflowers and lavender, there is no precise way of knowing just when they will be in bloom. Sometimes the sunflowers come “early”, or the lavender “late”. Or sometimes any one of these flowers can be plowed over (in the case of poppies) or harvested by some farmer. (The nerve!) 

Our group got lucky. It had been an unusually cold, wet spring up until just before we had arrived, and there were few to no poppy fields in sight. I was pretty okay with it, having painted them quite often (not to mention that we had no shortage of beautiful scenes to paint!) But most of the group seemed to have their heart set on it, and I was a little worried that they might be disappointed.

But we were lucky, not only because nature, at last, decided to cooperate, but also because the folks at Le Vieux Couvent remained on the lookout for our perfect field of poppies. And boy, did they find it–complete with two charming little cabins (cabineaux) set against a mountain backdrop. It may have been one of the prettiest poppy fields I’ve seen to date….or maybe the thrill of the others was just very catching.  Here’s my little plein air from that afternoon, painted around 5 PM or so.

“Dusk in the Lot Valley”
Oil on Multimedia ArtBoard, 6×12″
Click here for more info.

And a couple of gratuitous shots of us in the poppy fields:

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Now that we’re really getting into the summer weather here, I’m starting to see my gardens taking shape. For the beds alongside my house, I’m slowly building an herb and butterfly garden. Budget restraints required that I experiment with starting from seed for a few things, but mostly I just started from very tiny plants and mixed in a few summer bulbs. Gardening is a pretty new pastime for me, so  believe me, every new growth or flower is a triumph.

In Virginia, if you dig deep enough, you will soon hit clay, which makes building any kind of new bed a bit of a chore, as you really have to work in a lot of good loose topsoil, soil conditioner, and fertilizer to make the plants take to it kindly. It kind of makes me shake my head a little when I visit places like the south of France. Roses practically grow out of the cracks of the sidewalks there! Okay, the gardeners there do have do deal with the rocks (and a lot of them) so I guess we all have our gardening challenges.

The old French country convent where I stayed had a labyrinth of beautiful gardens. I believe the current owners have had the place for a little over 10 years, and while they started with a property that had “good bones”, all of the gardens were as a result of their own sweat and muscle. The gardens were set out like little outdoor sanctuaries, and there was something to discover in every nook and cranny of the property.

To the painter’s eye, there were a thousand possibilities just within the confines of Le Vieux Couvent itself. But I was drawn particularly to the little goldfish pond out back.So apparently was one of the resident cats, “Portia”. With so much touring, I didn’t really have much time to paint on the grounds of the property, but I did do this little watercolor sketch of Portia by the pond one morning before we set off on another excursion:

My layout was such that I couldn’t quite get in the pond itself. But I came back one morning after the group from the “artist retreat” left,  and painted  a more close-up view again in oils:

“Bassin à Poisson Rouge” (The Goldfish Pond)
Oil on Linen, 11×14″
Click here for more info.

Jennifer Young; Vibrant Landscapes
Oil Paintings and Art Prints Online
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