Mixing Greens

I live in Virginia, and one of the most beautiful things about this area in the milder months is the vast arrays of greens.  As a landscape painter this is also one of the most challenging aspects about painting in this area! In my opinion it is a good idea to try and mix your own greens as much as possible. It is easy to spot a painting that uses a lot of out-of-the-tube greens. It's not that tube greens are bad (and I definitely carry at least one when I paint en plein air because of the need for speed.) But painters can become over-reliant on them to the point where the same green is used for everything (trees, grass, shrubs, etc.) and the painting lacks nuance or variation.

The possibilities for mixing greens are seemingly endless. Here are some of the combinations (for oil painting) that I use often:

• Warm blue (like pthalo)+ cool yellow (lemon) gives you a strong, kelly green
• Cool blue (ultramarine) + warm yellow (cad. yellow) yields a duller, muted green
• Cobalt blue is a true blue, and will yield a little cleaner green than ultramarine because ultramarine blue has red in it.
• Experiment mixing warms and cools and you'll get greens that fall in the middle of these two extremes!
• A good replacement for Sap Green: try mixing Prussian Blue or Pthalo Blue with Indian yellow. This will give you a similar dark, transparent green.
• Lightening your greens can get a little tricky. Add too much white and your greens appear chalky. White also cools your colors considerably. Add too much yellow and your greens get brighter and warmer, which may not be what you're going for. The key is balance and a lot of experimentation (a.k.a trial and error!)
• For distant greens, like at the horizon line of a distant field, try mixing white with a touch of blue and orange, and blending that into your greens as the field recedes.
• Alternately, you could gray your greens down ever so slightly with a touch of a complimentary color like Alizarin crimson plus white.

Mixing greens is definitely a practiced skill, so my best advice if you are a landscape painter is to practice! It helps to create your own color charts with all of the various combinations of greens that you can mix, labled with the paints used to achieve each mixture. Within this chart, also try and mix a value scale, to see what the green mixture would look like lighter or darker.

Here's an idea if you want even more of a challenge: Try limiting your palette to Permanent Alizarin, Ultramarine or Cobalt Blue, Cadmium Yellow Light, and Titanium White, and see if you can execute the whole painting with just those colors. When you've practiced this for a while, add Phtalo or Windsor green to your palette. This is what Kevin Macpherson suggests in his excellent book Fill Your Oil Paintings With Light and Color.

Do you have a favorite green color mixture for your landscape paintings? Share your ideas by leaving a comment!

Tags: art painting landscape painting artist Virginia landscape paintings plein air 

Check out my Squidoo Lens

A few weeks ago I was e-chatting with plein air painter Jan Blencowe and she mentioned that she was becoming addicted to Squidoo lenses. Addicted to huh? Never heard of it. Then after that conversation I seemed to hear about these lenses every other day. Must be a sign!  What is a lens? According to Squidoo,

"A lens is one person's view on a topic that matters to her. It's an easy-to-build, single web page that can point to blogs, favorite links, RSS feeds, Flickr photos, Google maps, eBay auctions, CafePress designs, Amazon books or music, and thousands of products from hundreds of other trusted merchants. You can pick whatever content you want to put in your lens to bring context to your topic. Then, when someone is looking for recommended information, fast, your lens gets him started and sends him off in the right direction. It's a place to start, not finish."

So I decided to investigate further and play. My first Squidoo lens about landscape painting is now online.  I am still thinking about more things I can include in the lens, but it is essentially up and running. Check out my Squidoo Lense here! 

Tags: art painting landscape painting artist plein air  

Toning a canvas

I've mentioned in previous posts that I sometimes work with toned canvas. I especially like a toned canvas when painting en plein air, as the bright light of the sun can make a bright white canvas hard on the eyes. I've worked with both a neutral gray toned panel and a tan toned panel. Since I am more attracted to warm colors, the golden tan tone appeals to me a little more. From what I've read the Impressionist Claude Monet also liked working with what he called a "blonde" canvas.  It gives a nice under layer to both skies and ground alike.

I like to tone my canvas in advance so that the toning doesn't muddy up my paint layers when I start painting. To do this I will use a raw sienna oil paint and apply it very thinly to the canvas by "scrubbing" it in with an old brush. With this method, a little goes a long way, because I want to keep the raw sienna transparent. I don't apply it in an opaque layer as that would make the canvas too dark and the canvas would likely not dry to the touch overnight. 

Alternately if I am too impatient to do the scrub in method, I will do a wash of raw sienna thinned with solvent.  You can really play around with the wash and add a dab of white to the mix if you find the raw sienna to be too dark. It is really personal preference. The point is to keep it thin so that it can dry overnight and be ready for painting the next day.

I've also painted on canvas toned on the spot when I haven't had the foresight to tone them the night before. But again, it can muddy your colors unless you apply the paint strokes a little more thickly and leave them be once you've laid them down.

Plein air tip: If you've done any plein air painting you will probably have noticed that you have to clean your palette more often so that you have space to mix your paint. As a result, you can have scrapings that turn to mud due to all of your color mixtures combined with white. Before you wipe off that ugly mud, think twice! Save your mud in a mud pile on the side of your palette and you can use it to tone your canvases later. 

Tags: art painting landscape painting artist plein air 

Leaving for Lake Como Today

Today is the day! We will be heading out shortly for a most beautiful Italian destination. I plan to do some painting while I am there, but since we are going to be going to a lot of different little lake towns, I've decided to carry a minimum supply of art materials. I'd love to bring oils when I can stay for a longer period, but this trip I will bring my travel watercolor set, similar to the one shown here, (except mine has alot more pull-out palette space). In addition to the pan colors, I'm bringing a small selection of Windsor & Newton professional grade artists' colors in tubes.

Other supplies:

• cotton rag
• small selection of brushes
• watercolor journal
• watercolor papers
• tape
• small painting board
• waterproof ink drawing pens
• pencils, HB graphite and softer
• eraser
• sketch pad

Almost all of these supplies, plus my camera can fit in my big black tote (the same I took on my last trip to Italy). I am having trouble uploading images to the blog today, but you can see the bag in this picture. I couldn't fit my folding stool in my carry-on luggage, so I will just have to wing it and hope I can paint in areas where I'll be able to have a seat somewhere.

No blogging while we're gone, but I plan to post some pictures when we return. Ci vediamo!

To see my oil paintings of Lake Como and other places in Italy, visit my website here.

Tags: art painting landscape painting artist

Traveling with oil paints

From time to time I receive emails from other artists asking questions, and I thought it might be fun to try and post responses on my blog (the idea being that if there is one person asking, there may be more wondering also.) Here's the question:

I am traveling to Tuscany in June, 2007 to paint for 2 weeks. I have always used either pastels or watercolors, but this time I plan to bring oils. What paints and mediums do you bring and how do you pack them for the airlines? I don't want my stuff held back! Thanks for your help, S.P.

Ever since the tightening of the airline regulations, I have battled with this same question. When I last painted in oils overseas, my solution was to pack my easel as a carry-on and everything else (brushes, panels, palette knife, empty containers for mediums, etc.) went into the suitcase clearly labeled as artist materials. I did not pack my paints, mediums, or solvents, however. Instead, I did a bit of inquiring prior to travel to find out if there were any art stores in the vicinity of my destination. Fortunately there were and I bought my paints, mediums and solvents overseas.

Shopping for art supplies overseas can be a lot of fun. There are things that are familiar and also some wonderful products that I hadn't had the opportunity of seeing before. I felt like a kid in a candy shop and I actually ended up delighted with my purchases. I found Rembrandt oil colors in tube sizes I hadn't seen in the U.S. They were small enough to make my load a little lighter, but large enough to last me the two weeks of my stay. When I was in France, I found that the art stores only had small, expensive containers of paint thinner, so I learned how to say "turpentine" in French, and then asked for it at a hardware store. So, it can really be a fun adventure if you're up for it. However, if you are limited on time, you may prefer to just take the chance and carry your paints overseas. With that in mind, I am including a couple of articles that do a good job of addressing some of the issues that might arise:

Advice from the Gamblin Website

Advice from Pochade.com

p.s. If you do decide to shop for supplies at your destination, keep in mind that European countries use the metric system, so their canvas sizes will differ from what our "standard" sizes are in the U.S. This is not an issue if you don't frame your work, but if you use only standard size frames, this will be a matter of concern.

Tags: art painting landscape painting artist plein air