Pochade box

Clouds and rain have been rolling in, so no plein air these last couple of mornings. I have plenty to do in my studio as I'm getting some new work together for a show, so it works out fine. In the meantime I thought I'd focus this morning's post on my one of my plein air setups. There are TON of options out there for plein air painters--everything from pochade boxes to classic French easels and beyond. Early on I had a full size French easel, but I found it to be too heavy for me, and I hated all of the wingnuts. Inevitably one would end up falling off during transport and without that wingnut to secure the easel leg, you're pretty much out of luck. If I ever did get another French easel, I would probably go for something like the Julian half box which is much lighter weight and not so cumbersome, in my opinion.

I currently work with two plein air setups for oils. One of them, my pochade box, I use quite often. Here is a picture of my pochade box:

I hang a roll of paper towels from a bungee cord on the front handle, and a grocery bag also to hold my spent paper towels. My paints, thinner, and medium store below the sliding palette, and my canvas stores in the lid.

A pochade is a French term meaning "quick sketch" and refers to the color studies that artists would create in the open air often for later reference in the studio. Original pochades were popular with 18th and 19th century landscape painters. They were small "cigar boxes" with hinged lids. Like my pochade box pictured above, the lid served as an area to hold the canvas or panel, and the bottom part of the box was used to store paints and a palette. It was a very simple affair and small enough to hold in your hand, sometimes with the use of a little thumb hole cut into the bottom of the box.

Currently pochade boxes range in sizes from 6x8" to 12x16". Prices for pochade boxes range widely, but if you are handy it is possible to make your own, as the design is really very simple. As for me, I am NOT handy like that!

I bought this little 9x12" pochade box online and I like it quite a lot. It weighs about 5 1/2 pounds, and with optional accessories can hold canvas panels from 6x8" on up to about 16x20". It has a tripod mounting plate on the bottom side to mount onto a camera tripod. My brand is a Bogen Jr. Manfrotto tripod, which is lightweight but sturdy.

I am constantly trying to find ways to compact and lighten my setup, but right now I carry all of my supplies in a large tote bag that I purchased from LL Bean (shown just behind my tripod). It works okay for short distances and for flat areas where you can just strap it onto a rolling luggage cart, but if I'm hiking in the mountains, probably not. In that case, I'd probably benefit from paring things down a bit.

Tags: art painting landscape painting artist plein air

Plein air outing (04/11/06)

I woke up this morning to a perfect, cool spring day so I set out early to do a little plein air painting. I experimented with a very limited palette, which was definitely challenging for me, especially when painting outdoors. My colors were three versions of the primary colors, (yellow red and blue, appearing as cadmium yellow pale, alizarin crimson, and ultramarine blue on my palette) plus white. I also added a fourth paint color, pthalo green, which is a highly tinted transparent warm green that can be used to mix a variety of colors beyond just green. My aim is to do some smaller paintings (pochades) as often as I can this spring and summer. On a sunny day, I find that I can only work on one scene for about two hours a session because beyond that the light has changed too drastically. By staying small I can do studies and cover the canvas within a limited amount of time. Small paintings also require you to paint loosely, as they cannot take a lot of detail unless you use a tiny brush. The whole idea for me though is to paint loosely and sharpen my ability to capture accurate color notes and the light effects in nature, not to render everything in a precise manner.

Here is the resulting 8x10" painting I did:

This is a redbud tree sitting along the banks of a little pond at a park near my house. It is definitely loose, but I will need to practice more with the limited palette as I did not get the contrast in the values, nor the colors quite as vibrant as I would have liked. Even so I think it is worthwhile to experiment with the limited palette as a way of really learning more about color mixing. 

I think this is probably about 1 1/2 hrs. worth of work. It may have taken a little less time if some of the park attendants had not come by wanting to chat. It was probably around 10 a.m. by the time I really got into it, and the light moved very quickly. I started out with my easel in full shade and ended with up with my canvas sitting entirely in the glaring sun, which made it hard to see anything. For this reason I decided it was time to pack up. Many people erect an umbrella over their work space to deal with this problem of moving light and shadow. With both the canvas and the palette in the shade, it is easier to see your colors. Dappled light or direct sunlight on the canvas and/or palette makes it very difficult to see and mix anything. I do have an umbrella but I was too lazy to bother with it today. That'll teach me!

I haven't decided if I will do any more with this painting, or if I will just keep it as a reference and as a learning exercise. I don't want to do too much, but I may see if I can push the values (the lights and darks) a little more. In any event, even if some of my plein air paintings never reach the "finished" stage, they are worthwhile for the experience of honing my observation skills.

Tags: art painting landscape painting artist plein air

Watching the weather

When Dave and I first married, I used to joke to him that he was a closet weather man. I'd come out to breakfast each morning and he'd be there with the newspaper at the ready, quoting the weather forecast for the day.

In those days I'd scoff at the idea of such preparedness, but once I started painting landscapes, I came to depend on those weather forecasts. There's nothing worse than setting up all of your painting gear and seeing those black clouds roll in when you've only just begun your work! This painting of the Georgia wetlands was created under such circumstances. It is actually named "The Clouds Roll In" and measures 12"x12". Additional details about the painting are available here. Since we were on the road, we weren't able to come back to this site on another day, so I had no choice but to finish it in the studio:

It has still really been either too cold or too rainy for me to paint outside yet, so I've been getting some new studio paintings under way. But my weather man informs me that there are some warm days ahead, so I'm getting my painting gear together in anticipation. I want to grab it and go out in the early morning at the first opportunity. 

Postcards from the Southernmost Point

Well, we're back from our Key West trip now and I am getting my bearings again--getting acclimated to waking up to 30 degree mornings again. However, the daffodils are blooming in Richmond, and so we have the promise of spring. In a few more weeks all will be abloom here, so I think I can sustain myself with some Key West memories until then. ;-) The trip was so inspiring and so much fun! I took about 800 pictures and spent my days exploring the island on bicycle with Dave, stopping often to photograph and sketch. I didn't get on the Internet as much as I thought I would, so not much opportunity to blog. But that is okay...I had to make the most of the time I had there, which was much too brief in my opinion (though I can hardly complain!)

Here are a couple of sketches I did on my trip. Along with my photos, the sketches will act as "memory triggers" for larger oil paintings I look forward to creating. This first "postcard" is a view of the courtyard and some of the beautiful gardens in our hotel. Just a quick pen and ink sketch embellished with watercolors:

This next image is a scene I painted in one of the little hidden residential alleys in Old Town, Key West. I visited this alley a couple of times and was drawn to this little scene. The structure looked like a little garden shed but it was maintained so prettily with flowers and tropical foliage. As it turned out this building was actually an artist's studio. No wonder I was attracted to it! I met the artist/owner who was kind enough to show me inside. She is a nice retired lady who lives next door and paints for her own enjoyment, mostly outside on the patio adjacent to this little studio. Don't let the modest exterior fool you...it was a wonderful space! This is a 6x8" pen and ink/watercolor on approximately 7x9" watercolor paper:

 

I will be working on a couple of commissions immediately upon returning home, but be looking for some new Key West oil paintings on my website in the near future!

To see my oil paintings of Key West, click here.

Fun in the Sun

I wish I could figure out how to post images more easily while I am away but the wireless connection is pretty low at the hotel. We are having a great time though and spent the day riding bikes and exploring some more. It is still windy here which makes watermedia difficult for me outdoors, so I am mainly sticking to sketching. I am gathering lots of reference material though and taking a ton of photos for further development back home in the studio. Next time I will definitely want to bring my entire oil setup (I will take my chances with the airlines!) as the oils stay open and workable so much better than watermedia, especially in the wind. Other than that the weather is terrific. Clear blue skies and very little humidity at present. We've rented bikes to get around and it's been fun cruising through some of the lesser known side streets. I could get used to the pace of life here! Here I am sketching in one of the hidden alleys:

 

 

-Jennifer Young; Vibrant Landscapes www.jenniferyoung.com Contact