Travel Plans

Travel is one of the most joyful parts of my life as an artist. I love traveling to new and beautiful places to paint and gather inspiration, and I feel so fortunate that my business is able to support my adventures. This February we will be taking a much welcomed trip down to sunny Key West. We were supposed to go last Spring, but bad weather caused us to cancel those plans. Here's a scene I painted from photos I took on our last trip to Key West. It's called "Sunset Celebration". It measures 11x14", oil on canvas. For more details about the painting, check out my scenes of the American South section on my website:

I've also started planning for a June trip to Lake Como, Italy! I think the scenic views of the lake regions in Northern Italy are some of the most striking and beautiful in the country. The uniqueness of Lake Como is that it is distinctively Mediterranean, with lush flora, palm trees and cypresses, but set against a stunning backdrop of the Alpine mountains. I am so excited to be returning to this area, since the last time I went was many years ago and my camera broke on day two!

I will be painting on location both in Key West and in Como. I am primarily an oil painter but I'm considering bringing watercolors instead, since they allow for easier cleanup and are more portable. Plus, with the new airline regulations I have heard many instances where other artists have had their oil paints confiscated by the airlines. That's quite a setback to experience, considering the painter has to buy a whole new set of expensive paints at the destination site. Supposedly you can bring a letter from the paint manufacturer insisting that the oil paints are made with vegetable oils and do not contain but a trace of ingredients that would be considered "flammable".

But in past trips since 9/11 I have not wanted to take the chance. If I wanted to paint in oils overseas I ended up just shopping for small tubes of paint in the destination country. This can actually be a really fun experience, because there are so many fine products in the art stores of France and Italy. But it does take a bit of extra planning and time if one is going to be staying primarily out in the country.

Oil painting substrates

I thought I'd write a little here about some of the oil painting substrates I use on a regular basis.Canvas: The canvas I use most often for anything over 16x20 inches in size is one that has staples only on the back side of the stretcher bars. Small metal tacks are nailed into the sides of the stretcher to hold the canvas secure. This is a very sturdy, fine canvas with an old world look to it, primed with acrylic gesso. The surface is smooth enough so that it is not absorbent, but not so smooth that there is no canvas "tooth".

The stretched canvases I have been using for my landscapes are standard-depth canvas (around 3/4" deep), so generally the finished paintings are finished off with a frame for display. The great benefit to these canvases is that their depth allows them to easily fit into any variety of frame styles and mouldings, from the very traditional to the very contemporary.

I have lately been considering trying some gallery wrapped canvases for my landscapes. I used to use them in my older work, like the painting shown here. The gallery wrapped canvases are deeper than the standard canvas and have no staples around the perimeter, allowing the canvas edges to be painted as well. They offer a clean contemporary look, and have the benefit of being lightweight and versatile. While these canvases can be framed, one needs to find frames that have very deep rabbet depths so that the canvas edge (which is around 1 1/2" deep) does not extend beyond the frame when you look at it in profile. In general these canvases are meant to have painted edges and are displayed unframed.Panels: Often times for smaller works I will use birchboard panels or gessoed canvas that is mounted on a hardboard or wood panel. (I never use the canvases that are mounted on cardboard. They are too cheap and flimsy and don't hold up for professional use. In any event they are not archival and I use archival materials for my work.)The panels are great for painting out of doors (painting "en plein air") because they are flat and can be packed and carried more easily than stretched canvas. Sometimes I will prime these panels with a neutral base coat of gray or raw sienna. I use these when I travel and for smaller works no larger than 16x20":

 

 After a while they do get heavy, however, so I am always in search of the most lightweight option available! The lightest I've found is the birchboard panels, but these are not commercially available. The birchboard (shown here, bottom gray panel) can be purchased at the hardware store in larger sheets that I have cut down to size. They have a smooth side (for painting) and a rough side. However, I prime them on both sides to seal them and prevent warping.