Another garden plein air

Here is this week's plein air effort, once again at the botanical gardens:

It's incomplete as I started late and had to close shop before the two-hour mark. It was a beautiful morning, but the light quickly shifted from sun to overcast clouds, making my previously well delineated, high contrast subject suddenly a muddled mass of leaves and confusion.

Or maybe it was just my mind that was muddled? Every so often the light would peek back out, but not quite often enough to provide the kind of clarity I needed. In any case, this is as far as I got before I had to call it quits and pay the babysitter.

I painted this general location some time ago, though the arrangement (and light) was different. I had planned on painting another setting, but a large group was visiting the gardens this morning and had taken over my spot, foiling my plans.

Being short on time I decided to take another stab at this scene. I'm not sure if I will finish this piece. I may just treat it as an artifact of the morning's experience to learn from as I look forward to the next outing.

Plein air with the birds!

I spent two and a half hours yesterday morning literally contemplating the birds and bees at the Lewis Ginter Botanical Gardens. And of course, painting (which is the reason for this post!) I have watched this garden grow over the years that I have lived nearby, and it has become one of my favorite places to wander and paint. In fact, it has recently been awarded one of the "top 10 gardens worth traveling for" , and I feel really fortunate to be just down the road. At the far end of the garden, through the "woodland walk", one can come upon this little scene; it is a sanctuary for birds, butterflies, bees, and maybe even a human or two:

"Garden Sanctuary" Oil on Canvas, 12x9" ©Jennifer Young

I have really missed plein air painting. It takes me beyond "production mode" and more deeply into the experience of painting nature. After yesterday's session I made a resolution; my goal for the next 60 days is to paint en plein air once a week. There may be a week here and there that my mommy duties will have to take precedence, but generally speaking I think this is a manageable goal. So if you notice me falling off task, you have my permission to nag, or slap me with a wet noodle--your choice! ;-)

Painting my garden

The gardens around my studio and house are really picking up steam with summer blooms. I think it's best described as a cottage garden, and borders on chaotic at times. This is the same spot I shared with you in early spring...much improved now, I think!

My little "fountain" of succulents in the garden opposite the studio is now surrounded by a flowering butterfly bush, purple cone flowers and towering lilies (just about to bloom) And here's Ted, alternately my garden cat and studio cat. He likes to support me whenever I am being industrious:

With such an easy access garden, you'd think I'd paint it a lot more often than I do. I mean, you really can't get any more convenient when it comes to a plein air painting location! But there are a couple of challenges to overcome. First, the light moves pretty quickly in my little oasis,really only remaining constant for less than 2 hours. Inevitably even small paintings seem to require more than one session. Secondly, while I do have some painting time during the week while my little girl is with a sitter, any time she sees me painting outside she wants to "watch" (which quickly evolves into wanting me to push her on the swing, blow bubbles, etc.)

Nevertheless, I did get an opportunity over the July 4th weekend to complete this painting in the yard while Dad distracted DD:

"The Cottage Garden" Oil on panel, 12x9" (SOLD) © Jennifer E. Young

The dunes, once more

We have stolen away to the beach. Well, that's not entirely accurate, as with a toddler we aren't really "stealing away" anywhere any more. More aptly put: We have loaded the entire contents of our house into the van and 6 hours later unloaded it into the beach house just in time for a total melt down. Our toddler was none too happy either. ;) But somewhere around the 24 hour mark I think we all settled into a groove, and I actually got up yesterday morning and painted.

"Dunes, Early Morning" Oil on Panel, 10" x 8"© Jennifer Young

This was originally to be a sky painting, but I got drawn into the light on the dunes once more. This was painted from our balcony ( our footpath to the beach is on the left. ) It's a great spot, but east-facing, and in the morning, completely sunlit. I started this around 7:20 a.m. By 9 I was roasting and had to wrap it up. I am mobile blogging so the color is seeming a bit washed out, but you get the general idea here of the morning's attempt. (Updated image)

From study to studio (work in progress)

I feel like it has been ages since I have painted en plein air. Perhaps I feel this way because it is true! But while time, obligation, and health have kept my plein air painting at bay lately, I still think about it very much (not without a lot of longing) and I find myself digging out what plein air pieces I still have and meditating on them. It seems to me that even the weakest studies contain valuable information. Studio works have their place and purpose, and (the good ones) posess a grandeur that is harder to acheive en plein air. But there is a quality about the plein air paintings that continues to distinguish them in my heart and mind as something very special. As incomplete and insufficient as some of them are, they are infused with life and an immediacy that I still find hard to match in the studio. Still, given my life situation at the moment, I shall have to try.

One day recently when I was feeling particularly "homesick" for plein air painting, I came across this little piece that I painted during my trip to the Dordogne. It was tucked away in a stack of unfinished studies that I have not looked at in a long time:

I put it away mainly because I ran out of time to finish it on site, and I really haven't thought much about it since. It doesn't have the wildflowers that were in the field, the middle distance is unresolved, and it is lacking contrast in the row of nearby trees, as well as some other detail. But what it does have is some really good information about the light, as well as a nice loose, light touch that reflects the breeziness of that morning in early summer. And as I looked at it with new eyes, I started to think about new possibilities, and how I might translate the information in this scene to a larger studio canvas.

The location was near a public park just on the outskirts of a little village in France called St. Germain de Bel Air. There were these enormously tall trees that I believe were poplars. They always remind me of Monet because he painted a series of these trees in the countryside near Giverny. I was attracted to the scene not only because of the trees, but because of the way they lined the simple country path that led to the village, and the shadows they cast in great diagonals across the picture plane.

We will see how it goes, but here is my (very) preliminary layout on a 24x30" canvas.