October Pumpkins

In Hanover County, Virginia,  where I now live, fall is particularly lovely. The profusion of green has given way to warm rich tones of gold, red and orange. October is pumpkin season, and you don't have to drive too far around here to find a roadside stand where you can pick up some  pumpkins to decorate the front stoop. If you are feeling adventurous you can even take the kids to a pumpkin patch so they can pick their very own.  Myself, I rather like leaving them put and painting them right where they are growing (in this case, the pumpkins, not the kids!). 

"October Pumpkins, Hanover" Oil on Panel, 8x10" ©Jennifer Young

"October Pumpkins, Hanover" Oil on Panel, 8x10" ©Jennifer Young

This painting came about after getting a call from a painter friend of mine. She'd made arrangements to paint at the Hanover Vegetable Farm on one of the last days in October, and invited me to come along. I drive past this farm from time to time and I'd been eyeing those pumpkins for a couple of weeks. But for whatever reason, I hadn't gotten around to calling the proprietor up about painting there. So when the chance arose, I jumped on it. We got there around 8 a.m. The sun was low and the moon was still up. And of course, there were all of those cute round pumpkins gathering round the dirt path and echoing the shape of the waning moon. 

While I have really loved painting with my water soluble oil paints in the studio lately, I painted this piece solvent free using traditional oils. I used a little bit of Gamblin's Solvent Free Gel for my medium, and cleaned my brushes with walnut oil. I'm happy to report that it worked out just fine. I am so glad to leave that messy can of toxic solvent  out of the picture and just pack a little bottle of walnut oil and a small jar to swish my brushes in for cleaning. 

It's been raining around here for the last couple of days and I am anxious to see if the foliage will hold up until the sun comes back out. It would be great to get out a few more times before we have to say farewell to all of this gorgeous autumn color. We will see....

Plein Air Crush

This week I am coming down off of an exciting weekend in Floyd County, Virginia, where I participated in the inaugural plein air event called Plein Air Crush. In total there were about 19 artists participating over the course of the weekend, with judging and awards taking place on Sunday. This year the event centered around Chateau Morrisette Winery, which has some interesting architectural features, lovely gardens and vineyards, not to mention a fine restaurant and some pretty tasty wine. It sounds luxurious doesn't it? But keep in mind I was not doing much sipping. Instead I was schlepping; schlepping a bunch of art gear and standing for hours, out in the elements. It was hard on the body but rewarding for the spirit, and I had a good time painting the new-to-me scenery and meeting other artists.

We converged on Friday evening for a little meet and greet, but the painting portion of the event kicked off on Saturday, where we faced the threat of rain and some pretty dark skies. Painting in these conditions is really challenging because the value range is very limited and the light fairly flat. So I decided to set up in the vineyard where I found opportunities for some strong linear elements and soft edges that provided interesting compositional options:

"Vineyard in Gray Light", oil on panel, 9x12" ©Jennifer E Young. To purchase, contact me!

"Vineyard in Gray Light", oil on panel, 9x12" ©Jennifer E Young. To purchase, contact me!

In the afternoon I decided to venture a little further afield to paint a view of Buffalo Mountain: 

"Buffalo Mountain View" , oil on linen, 8x8"  ©Jennifer E Young

"Buffalo Mountain View" , oil on linen, 8x8"  ©Jennifer E Young

Sunday was the quick draw. It was incredibly windy. Worse than clouds and rain, wind conditions are a nearly impossible situation for the plein air painter because of the danger of having your entire setup topple and/or take flight.  The wind at the winery required that most painters seek a shelterd place unless they had a good way of weighting their setup (which I didn't).

Down at the vineyard though it was much warmer and virtually windless. I hadn't really planned on doing another vineyard piece but I figured it was my best option for success when we had a time limit.

"Sunlit Vines, Oil on linen, 9x12"©Jennifer E Young. Contact me to purchase!

"Sunlit Vines, Oil on linen, 9x12"©Jennifer E Young. Contact me to purchase!

Jennifer painting the vineyard at Chateau Morrisette during the Quick Draw.

Jennifer painting the vineyard at Chateau Morrisette during the Quick Draw.

We had three hours for the quick draw (which is actually pretty generous). At the alotted time we had to deliver our quick draw painting and the other works we had completed during the event and set up for judging. Steve Doherty, artist and editor of Plein Air Magazine was the judge. I didn't win any awards but it was cool to meet him and I learned a lot about my painting, and even a bit about myself as well.

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Setting up for the judgement back up at the winery

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Here I am happy and tired. The wind blew up a bunch of dirt on my paintings. I have managed to get most of it off of the two vineyard pieces, but the Buffalo Mountain one was painted really thickly and I don't think that stuff is going to budge. Oh well...that's plein air for you! It was good winery soil at least.

I came home to a messy house and a bunch of dirty laundry, but it was a fair trade for having had time off from mommy duties to do my thing for a whole weekend. (Thanks honey!) :-)

Just Out Back

Yesterday after I sent my little one off to her new adventures as a kindergartener, I decided I'd better become acquainted with my new plein air box in advance of an upcoming painting trip I will be taking. Yes , play the funeral march. My Soltek finally died.  Actually, it's now a studio easel. I might be able to resuscitate it next time I have extra cash lying around to send it off for a "tune-up", but the legs seized up after my beach trips and no amount of squirting them out with a hose has made them functional again.

Enter the Coulter paint box. I had heard a lot of really good things about the design of this box and after much deliberating between it and several other really good boxes, I decided to pull the trigger and go for this one. So far I really like it. I need to paint with it a bit more before I feel qualified to review it, but I plan to at some future point when it has a bit more mileage.

Given that I wasn't all that familiar with my new setup, I thought I'd take it easy on myself and paint a simple painting on our own property:

"Just Out Back" Oil on linen, 12x12"©Jennifer Young

"Just Out Back" Oil on linen, 12x12"©Jennifer Young

Turns out this was actually a complicated little composition, but I stuck with it and felt happy with the way it was resolved. Sometimes the challenge is to make something interesting out of where you are, instead of finding the exact perfect subject matter.  I liked the light on that little shed, and the shadows created by that crazy basket thing hanging on the side that was left here by the previous owners. And after all, when it comes to plein air painting, it's all about the light.

A Splash of Light on Howard Street

Aside from painting on my back patio, I really haven't done much plein air painting in my new town. Now that the heat seems to be letting up, I am aiming to change that. Here's a start. I see this scene during my morning walk/runs and have admired the fall of light as it spills across the shrubbery, taking center stage as the old Victorian sits austerely in the background.

"A Splash of Light on Howard Street", Oil on linen, 10x10"  ©Jennifer E Young

"A Splash of Light on Howard Street", Oil on linen, 10x10"  ©Jennifer E Young

Watching the Waves

Here is the last plein air painting I did at the beach last week. It was a quickie, started around 4:30 or so and wrapping up around 6PM. Watching the waves is one of my favorite things to do when I'm at the beach.

"Watching the Waves" Water miscible oils on linen, 8x8" ©Jennifer E Young

"Watching the Waves" Water miscible oils on linen, 8x8" ©Jennifer E Young

What is it about the ocean that calls us so? I guess it is the mystery of it. Or maybe it's the rhythm of the tides? Or maybe it's just that it is the place where we all originated, and it's depths are still unknown. My daughter once asked me, "When does the ocean stop waving?" Exactly! It never does, though it never ceases in changing either.

Incidentally, as I was painting this little vignette of our neighbor with her blue striped umbrella, I was photographed by Hidden Outer Banks!

Plein air painting at Nags Head. Image credit Hidden Outer Banks

Plein air painting at Nags Head. Image credit Hidden Outer Banks

Check them out. It was perhaps the one time when I actually didn't mind having a picture taken in my bathing suit. ;-)