Upcoming show, demo, and more

Too many irons in the fire makes Jen a lame blogger. However, I hope you'll still welcome this post and the news I have to share. First off, I announced some of this in my last newsletter, but if you don't subscribe to that, I'm pleased to announce that I have been invited to be the Featured Artist at Cabell Gallery in Lexington, Virginia. The gallery will hold an opening reception from 5:00 - 7:30 PM, this Friday, June 2nd. I will be in attendance, and it would be so, so great to see some friendly faces there. Here is one of the new pieces I just brought down there for the show:

"The Nubians", Oil on linen, 16x12" ©Jennifer E Young

"The Nubians", Oil on linen, 16x12" ©Jennifer E Young

If I happen to miss you at the art opening on Friday, I'll also be painting alongside other Gallery Flux artists on Sunday during the Rassawek Spring Jubilee at Rassawek Vineyards. I painted with Gallery Flux during this event last year and it was loads of fun. They'll have music, food, a variety of demonstrations from animals to art, and of course, wine! The event runs throughout the weekend, but I will be there on Sunday, June 4th, at 11 a.m. Here are a couple of pieces I did at last year's event. Come by and see them at the Gallery Flux display, plus whatever else I create at the event this year.

Lastly, the garage conversion is done and I am finally moving into my permanent studio space. It's been quite a process and I admit pretty stressful trying to get ready for a show with no real studio space to work in, but Hallelujah! It's all a thing of the past now. I did not post progress pictures as promised because I was too overwhelmed with everything that's been going on, but I'll have some images of the final space to share by next week if not before.

Venetian Byway

As I've noted previously, I've been enjoying digging into subjects for my paintings by working small to large. Several of the recent studio paintings I've done have had their inception in smaller plein air pieces I have painted on site. Through this exercise I have come to appreciate the method of problem solving in the smaller piece. My latest "small" is this Venice piece I completed yesterday. At this point I'm not sure if I will rework this into a larger size. I will sit with it for a while and see what I can see from it with fresh eyes, as I work on other projects. 

"Venetian Byway", Oil on linen, 14x11" ©Jennifer E Young

"Venetian Byway", Oil on linen, 14x11" ©Jennifer E Young

Outer Banks love affair

Though I don't get there often enough,  I have long maintained a love affair with North Carolina's Outer Banks. Last week we again made our annual sojourn there, and what a week it was! The weather was near perfect, the water a crystal clear turquoise blue. There were dolphin sightings, beautiful sunrises, and pelicans, sandpipers, and seagulls presiding over it all. 

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This was the first year in a long time that I was able to get out and paint so often. I kind of made it my mission to do so, especially since the weather was so cooperative all week (my fabulous husband and daughter were pretty darn cooperative too.) My fair skin suffers from too much sun and heat, so I took to painting mostly in the early morning or early evening to salvage it as best I could. Here's a little slideshow of the plein air paintings I completed there. I plan to use these as jumping off points for developing larger pieces in the studio since I will likely have to curtail much of my plein air painting during the unforgivably hot month of August. 

All of these paintings are done in Gamblin traditional oils on linen mounted canvas board. I used my new favorite plein air medium, Gamblin's Solvent Free Gel as well as a small dropper bottle of Gamsol for laying in my design at the beginning stages of the painting. This really keeps the transport and setup of my plein air gear lighter and more streamlined. Hover your mouse over each of the enlarged images to read more about each piece. 

Charmed in Beynac

Well school's out for summer, so we are all transitioning into  a new schedule. I was able to get into the studio a bit last week, and finished up the little French village painting I had started on in my previous post:

"Charmed in Beynac", Oil on linen, 11x14" ©Jennifer Young

"Charmed in Beynac", Oil on linen, 11x14" ©Jennifer Young

I am having a good time experimenting with some new Gamblin paint colors on my palette. My favorites right now are some from their "Radiant"  line and the "Brown-Pink" I seemed to be hearing about everywhere I turn. All I can say is, Brown-Pink, where have you been all my life?

This little painting brings back  a most memorable visit to the village of Beynac. I traveled with a group during this trip, and on this particular day I was to meet the others for a tour of the chateau. The Chateau de Beynac sits at the very top of a rather steep climb through the town, which basically is plopped onto the side of a cliff. 

I wasn't very popular on that day because I lagged behind. Hey, was it my fault the town was so utterly charming? I did end up making it to the tour of the chateau on time, but barely, and not without some exasperated looks darting my way. Oh well, in my tardiness I got some great pictures, so for me it was totally worth it. 

Winter Walk

Though I've been working on this painting for the past week, today seemed a good day to post about it. Outside it is a cold, slushy mess here in Ashland VA. It's a good day to sit by the fire sipping tea and reading art books--unless, of course,  you happen to live with a five year old. Then it's all snow angels, snow men, and snowball fights, until finally thawing out with hot cocoa. But there is something pretty magical about seeing the snowfall through the eyes of a child, and even a mere dusting must be thoroughly explored and exploited.

This painting was inspired by our very first snowfall in Ashland. My niece happened to be here visiting and she and my little daughter created some nice interest for the wintry setting I'm featuring here, which is located in the park that sits just behind our house.

I had a beast of a time photographing this painting for accurate color, and I didn't bother to do any color correction on the sequence of progress shots above. The colors are pretty accurate in the final shot of the painting below, however. It was a really fun and different painting for me, and I enjoyed all of the soft edges and the subtle color palette employed to create the mood.

"Winter Walk", Oil on linen, 20x24",  ©Jennifer E Young

"Winter Walk", Oil on linen, 20x24",  ©Jennifer E Young