Watercolor/Pen & Ink Sketches: The Jefferson Hotel

Since my studio is right down the street from the beautiful and historically significant 5 star Jefferson Hotel, I thought I'd sketch a couple of the more famous views. This is the view of the belltowers from S. Adams street:

According to the Jefferson Hotel website, Lewis Ginter "commissioned Carrere and Hastings, a renowned architectural firm from New York. The firm designed the Fifth Avenue Public Library and Henry Frick House (later the Frick Museum) in New York, as well as portions of the Commonwealth Club in Richmond."

Along with the hotel's gorgeous grand staircase, (which supposedly inspired the one used on the set of Scarlett's famous staircase tumble in the film Gone With the Wind,) another significant interior space is the Palm Court in the hotel's upper lobby. Central to this space is a life-size marble statue of Thomas Jefferson by Edward V. Valentine, interpreted with liberal artistic license by yours truly below:

Watercolor/pen and ink - Ocracoke Lighthouse

Getting back to the topic of my recent visit to Ocracoke Island, here's another sketch from my travels. I haven't painted many lighthouses in my day (okay this is the first one!) but the lighthouse of Ocracoke is such a visible landmark on this tiny island. In fact it is also historically significant as is the second oldest operating lighthouse in the nation. (In case you're wondering, the oldest is the Sandy Hook Lighthouse in New Jersey.)

"Ocracoke Lighthouse" Original Watercolor & Ink on Paper

Ocracoke Watercolor art sketch: "Open For Business"

I previously mentioned that Ocracoke has a beautiful little harbor in the center of town called "Silver Lake". The hotel where we stayed had a view of Silver Lake Harbor, and and each morning we could sit outside,  sip our coffee and enjoy the peaceful relaxed beauty of scenes like this one:

"Open For Business" Watercolor & Ink on Paper

The only morning activity we saw was that of people strolling near the water, and fishermen quietly preparing their boats for the day's outing. But at one time this area was harassed by the infamous pirate known as Blackbeard. Blackbeard wreaked havoc all up and down the east coast and into the Caribbean. But his reign of terror was brought to an end when he was finally caught near Ocracoke by the British Navy in 1718.

Back from Ocracoke

Both painting and internet were sketchy down at Ocracoke, so this is a recap now that I'm back home. We really enjoyed our stay at Ocracoke! It has gained some popularity due to the great reviews of its pristine and natural beaches, but it remains a sleepy little 16 mile island only accesible by boat or ferry. No McDonald's or Starbucks there! Just lovely little harbors, small local restaurants, and shops ranging from artisan/galleries to a few peddaling souvenir schlock and surf gear. It is a great place to ride bikes, photograph, paint/sketch (if the wind is calmer) and watch the sunrise and sunsets. If you are into fishing, surfing and other watersports it seems like it is great for that too. We stayed in the village along Silverlake harbor and had all different kinds of weather. The last two days of our stay were absolutely gorgeous, though the wind was around 20-25 miles an hour so often that I decided to forgo the oil painting and stick to sketches like the one I did here of the Harbor:

"Flying Colors" Watercolor & Ink on Paper

Art Sketch: Southern Welcome

Here is another watercolor/pen and ink sketch of yet another Key West conch house. One day I will paint something else when I'm in Key West! But for now I am stuck on these houses and I always feel that it is better to choose a subject that excites me:

"Southern Welcome" Watercolor/Pen & Ink on Paper Image size 6x8"

I am really enjoying these watercolor sketches. I have always sketched and have done little watercolor/pen and inks for a while. But I haven't shown much until recently because they were really for my own amusement, and, having been so immersed in oil painting these last 12 or so years, I never really considered myself a watercolorist.

At one of our recent openings at the gallery my husband said, "Why don't you show some of these? They're neat!" I have learned to listen to him (sometimes, and/or eventually), so I put some out (eventually). To my surprise they got a great response.

So in light of this I added a new section to my website for the sketches. I hope to expand these small, intimate pieces to include other mediums, but for now I am sharing the little watercolors. I will post them here on the blog as a first offering, and then add them to the website gallery page as time permits.

Art Sketch- Key West Hideaway

This is a little watercolor sketch of the conch houses that have become one of my favorite subjects when painting down in Key West. To me these little bungalows encapuslate that feeling of a tropical getaway. Many are relatively small simple structures but they are adorned with an abundance of tropical foliage that add shade and splashes of brilliant color. Unfortunately a fixer upper sells for around 1/2 a million dollars, so for now I just satisfy myself with painting them!

 

"Key West Hideaway" Watercolor/Pen & Ink on Paper Image size: 6x8"

Art Sketch- May in the Luberon

Today I present a watercolor/ pen and ink sketch I've done in preparation for a larger oil painting. This scene shows a small stone structure alongside a poppy-lined path leading to a Provincial farmhouse in the heart of Provence. The stone structure is one of many I saw while traveling through the Luberon valley. It looked to be a mini-borie. A borie is a stone hut commonly used in agricultural areas for storage or shelter. Some in this region date far back in history, but they have also been built in modern times. I don't know what use this mini-borie would possibly have held other than decoration, or even if it is technically considered a borie, but it did have the same kind of honeycomb or igloo structure:

"May in the Luberon" Watercolor and Pen & Ink on Paper Image size 6x8"

Getting ready for tomorrow night's art opening

I'm busy today doing the last minute touches for a show that opens at my Richmond, Virginia studio tomorrow night. Read here for the details. No oil painting in the last couple of days so I thought I'd share a sketch of Venice, from one of my sketchbooks:

"Gondolas Near Piazza San Marco" 6x8", Watercolor & Ink

Bellagio Vignette

With this cold February weather, I naturally long for warm, sundrenched places. So lately I've found myself pouring through sketches and photos from our last trip to beautiful Lake Como. This is a little watercolor/pen and ink sketch I did from the balcony of our hotel in the lovely lake town of Bellagio:

We had great mountain views on three sides. This brings back some warm, sunny memories for me, painting and listening to the water lapping on the lake shores below. The image size is about 6x8", done on 7x9" paper. For more information about this painting, please contact me.

Landscape Values- Part III

Here are some things to consider when working with values in a landscape. Sometimes when observing the play of light it can be hard to decipher subtle value differences. These are  not hard and fast rules, but hints that may be helpful in creating the illusion of light and shadow. First, I'll start with a simple illustration:

1. The sky is the source of light, so it is usually the lightest area of the painting.
2. The flat plane of the ground is usually the 2^nd lightest value in the landscape, because it is the earth element most exposed to the light source (except when in cast shadows.)
3. Slanting planes (like the slopes of mountains) are typically the 3^rd lightest value. They still get a lot of light, but they are more upright than the flat earth planes.  Mountain values can have undulating cast shadows as well. They are still fairly light in value however. They are also cool in color temperature, due to normally viewing them from greater distances.
4. Cast shadows on a flat earth plane will be the 4^th lightest value. Shadows generally appear cooler and lower in value than lighted areas, but be wary of painting shadows too darkly (a common problem when painting from photographs.) Cast shadows in nature will still have light and color in them because in most cases they are reflecting the light from the sky.  Also note: Overcast days when the light is generally cooler and more diffused tend to have shadows that appear warmer and more diffused. Sunny days when the light is warmer tend to have shadows that appear cooler.
5. Upright structures, such as tree trunks and certain trees like cypresses will generally show some of the darkest values because there is less surface area for the light to hit. Be aware though that most trees will still have some slanting planes in the foliage on the side where the sun shines. There may also be darker values than the upright ones occurring on the undersides of your trees and bushes. 
6. Values can get tricky once you start working with color, so it can sometimes help to squint your eyes in order to check your values. Making quick thumbnail value drawings is extremely helpful as well, as a preliminary to your painting. These “hints� are especially helpful when working from photographs. Note that there are always exceptions (like rising and setting suns), so use your observing eye! Nature often has her own ideas. When working from Nature, be open to exceptions, but also be prepared to use your “hints� if you find it helps you to make a more convincing painting!  

Tags: art painting landscape painting artist plein air Italy travel

Bellagio Trip Report, cont'd

One of the nicest things about our room was that it looked out over an old fishing village called Pescallo. From where we sat we could see the rooftops and the fishing boats sitting on the glassy water. It was a beautiful scene from above, so I imagined that it would even be more beautiful up close! The day after our arrival we followed a very long narrow, sloped stairway (a little street- Bellagio style) that led to the village of Pescallo.

It is my understanding that at one time Pescallo was the location where they held an open air fish market. Today it is a quaint, sleepy little lakeside town. We went down there several times to sketch and just contemplate the beauty and peacefulness of the place. This pen and ink/watercolor sketch is a 6x8" image on 7x9" watercolor paper:

On two different occasions I was fortunate enough to meet a couple of the elderly villagers who were living out their golden years in Pescallo. They were so gracious and kind- and patient! They urged me to speak in my broken Italian and just smiled as I undoubtedly butchered their beautiful language.

To see my oil paintings of Lake Como and other places in Italy, visit my website here.

Tags: art painting landscape painting artist plein air Italy travel

Bellagio Trip Report

What a magnificent trip! Arrived home a couple of days ago, but the jet lag hit me a bit harder this time. Still not feeling entirely "on my game", but it was worth the spent energy to be sure! I thought I'd share some of my wonderful experiences about our trip here on the blog, since for me, travel is such a huge part of what inspires me as a painter.

We based ourselves in the village of Bellagio, which is a beautifully situated hillside lake town that looks out over the three arms of Lake Como. If you look at the lake from an ariel viewpoint, it's shape forms an inverted "Y". Bellagio sits right in the middle of that Y, and it is truly the jewel of the lake.

The only difficulty with staying in Bellagio, for us, was getting there without a car. Even with the super-efficient public transportation systems in Italy, there is no direct route to this town. If one has a car (and arguably a lot of nerve), one can drive along the very winding roads and into the village of Bellagio itself. But we opted to be without a car for this trip, since the ferry systems, once there, are excellent. Also the streets in the village are tiny; in some places barely fitting one car, side mirror to side mirror!

So our route was to fly into Malpensa airport (outside of Milan) and then to take the Malpensa express train, change in Saronno (the town famous only because they make the Saronno amaretto cookies) and then arrive in Como. From Como we then took the "rapido" ferry to Bellagio. Even with all of that we still ended up arriving in Bellagio fairly early- around 12:30 local time.

Our hotel pick was Hotel Belvedere, which is situated on a hill at the top of the village. I was initially worried about it being too high up and too far out of reach from the center, but Bellagio is so small that there was no reason for such worries. My only word of caution for those of you who do not pack light, is that Bellagio is a hill town and some of it's "streets" are actually long flights of stairs. In order to get to the hotel from the pier where you are delivered by ferry, you have to either get a cab or lug your luggage up these steep streets.

We opted for the lugging, as we only had two carry on bags and purse and backpack. This way of packing is new to me, and frankly it was a miracle compared to how I have traveled before. But with a week-long trip, it was totally do-able, and I was incredibly grateful on the train, ferry, and stairs!

We were rewarded for our climb with a lovely hotel and a room with a marvelous view and balcony. We both really loved having the balcony. I would get dressed in the morning and go out and sketch and paint, and then Dave would have his time to perform his morning routine before going down for breakfast.

...No, we weren't drinking wine before breakfast! This photo was taken in the early evening before dinner, which was actually the best time to paint because I was completely in the shade. There were a few interesting views from our balcony. This little watercolor sketch is a view looking out to the left side of our balcony, over a marvelous terraced landscape. It is small- 6x8", pen & ink/ watercolor:

To see my oil paintings of Lake Como and other places in Italy, visit my website here.

Tags: art painting landscape painting artist plein air Italy travel

Postcards from the Southernmost Point

Well, we're back from our Key West trip now and I am getting my bearings again--getting acclimated to waking up to 30 degree mornings again. However, the daffodils are blooming in Richmond, and so we have the promise of spring. In a few more weeks all will be abloom here, so I think I can sustain myself with some Key West memories until then. ;-) The trip was so inspiring and so much fun! I took about 800 pictures and spent my days exploring the island on bicycle with Dave, stopping often to photograph and sketch. I didn't get on the Internet as much as I thought I would, so not much opportunity to blog. But that is okay...I had to make the most of the time I had there, which was much too brief in my opinion (though I can hardly complain!)

Here are a couple of sketches I did on my trip. Along with my photos, the sketches will act as "memory triggers" for larger oil paintings I look forward to creating. This first "postcard" is a view of the courtyard and some of the beautiful gardens in our hotel. Just a quick pen and ink sketch embellished with watercolors:

This next image is a scene I painted in one of the little hidden residential alleys in Old Town, Key West. I visited this alley a couple of times and was drawn to this little scene. The structure looked like a little garden shed but it was maintained so prettily with flowers and tropical foliage. As it turned out this building was actually an artist's studio. No wonder I was attracted to it! I met the artist/owner who was kind enough to show me inside. She is a nice retired lady who lives next door and paints for her own enjoyment, mostly outside on the patio adjacent to this little studio. Don't let the modest exterior fool you...it was a wonderful space! This is a 6x8" pen and ink/watercolor on approximately 7x9" watercolor paper:

 

I will be working on a couple of commissions immediately upon returning home, but be looking for some new Key West oil paintings on my website in the near future!

To see my oil paintings of Key West, click here.