This week I've just returned from our annual trip to the North Carolina Outer Banks. After a hectic start to the summer both my husband and I dearly needed some family vacation time to deflate, so we mostly swam, sunned, slept in, and ate a lot of seafood! Needless to say I didn't get a lot of painting done, but I did sneak out early one morning for some plein air sketching beneath the Avalon Fishing Pier:
Paintings of France, Italy, and Beyond ©Jennifer E Young
Immediately after I wrapped up painting my sunrise painting, I turned to look up the beach toward the pier and noticed how lovely the waves looked lapping up on the curving shoreline. So since I finally felt like I was getting somewhere with these paints, I decided that this would be a back-to-back session, one piece after another. Here' s the beach in early morning, post sunrise, around 8:30 a.m. or so:
For this painting and the prior sunrise one I had to lay the paint on pretty thickly to manipulate the edges the way I wanted. Also I found the titanium white and cadmium yellow light were much less intense than what I was used to with my traditional oils, so the highlights were painted very thickly indeed. I hadn't noticed this in my first venture with the Water Soluble oils, but it became much more apparent with these beach paintings because they are pretty high key. Overall the effect seems to me to be closer to a palette knife painting than one done with a brush, though hog bristle brushes were all that I used.
I really enjoy painting the surf. While I have done it before a number of times in the studio, these pieces were my first effort done completely from life. What a rush! I feel like I could spend a lifetime studying just this one subject...I should be so lucky.