Beach Week Bliss

What happened to June? It was a crazy, exciting month. To our surprise and delight, our 8 year old daughter had landed a bona fide cast role— as “Molly” ( the littlest orphan,) in the chlidren’s theater production of “Annie”. I soon founding myself chauffering her to daily rehearsals and painting orphanage set pieces, Hooverville set pieces, and various props in the production.

We had a blast during the whole experience, but by the time beach week (and July) rolled around (the day after closing the show!) we were all SO ready to return back to our normal, boring life. Not only that, but I was REALLY ready to return to painting—landscapes on canvas, that is.

My first, early morning attempt at it didn’t exactly go as planned, however. Little did I know when I hauled myself and all of my gear over the dunes and down to the shore at 6 a.m. that I was without a rather key part of my painting setup—the piece of my pochade box that attaches to my tripod and essentially holds my painting upright. As dismayed as I was, I determined to forge ahead.

I managed to complete a small 8x10” just-after-sunrise piece of the pier, propping the canvas horizontally the way you would a watercolor, on the edge of my palette. But it was no watercolor. The morning sun cast such a light on my oil painting at this angle that it was really glaring and almost blindingly too much light on the piece, making it hard to view or judge values. In any event, after a few minor adjustments “after the fact,” I think I managed to capture the “feeling of the moment” in spite of the struggle.

“Nags Head Pier, 6 A.M.” Oil on linen, 8x10” ©Jennifer E Young

“Nags Head Pier, 6 A.M.” Oil on linen, 8x10” ©Jennifer E Young

I actually thought I had left that key piece of equipment at home, but luckily for me (and the next painting,) I found it, tucked in a compartment in the trunk of my car. Whew! 😅This gave me courage to venture a little further down the road, to find a public beach access and a traditional Nags Head cottage, complete with dunes, weathered cedar shingles, and a fishing boat temporarily moored in the distance between the two. I really love the traditional cottages of “Old Nags Head”, and this cottage “Sand Joy” seemed to embody so much of that local character.

“Sand Joy” Oil on linen, 11x14” ©Jennifer E Young

“Sand Joy” Oil on linen, 11x14” ©Jennifer E Young

One other morning it was down to Nags Head Fishing Pier. It was a little too far from the house to hike with all of my gear, so I drove down and paid to park. Ironically, I ended up painting the beach and no pier at all. I had fully intended to paint that pier with its waves lapping and glinting under the pilings, but my eye and my heart kept drifting to the beach and the surf and those wonderful clouds that were forming on the skyline. So I wiped down my canvas and started anew. In such moments I just feel it is better to paint what compels you, rather than what you think “should” compel you.

“Nags Head in July,” Oil on linen, 11x14” ©Jennifer E Young

“Nags Head in July,” Oil on linen, 11x14” ©Jennifer E Young

After that I ran out of white paint and was bummed to find the only art store on the island apparently closed for the July 4th weekend. As a result, I was “compelled” by necessity to just relax the next morning or two and enjoy the sandcastles and porpoises, which, let’s be honest, isn’t exactly suffering. I took a lot of great photos, though, so I am sure to revisit my time there in the coming months in my studio. Hope you’ll stay tuned for that inevitability!

P. S. I have a couple of upcoming summer shows in the very near future, including one at Lewis Ginter Botanical Gardens that opens tomorrow night. I have written indepth about them in my latest newsletter, which you can check out here. I hope you can join me at the openings if you are in the area!

From winter to summer, in one post!

It is good to be back to painting again. It has felt like such a long time since I have been able to stand at the easel and wipe all the cares away and just focus on art. Maybe for this reason, this painting came together fairly fluidly. This piece was inspired by a challenge from Gallery Flux, to create works for their upcoming show all about SNOW! So I thought I would experiment with a few different compositions in this theme in hopes that I'd have some good candidates to offer up for the show, and oh what fun it was! I painted from reference photos I took last winter in my neighborhood, which has its share of beautiful stately and Victorian homes.

"Victorian Winter", Oil on linen, 20x24" ©Jennifer E. Young

"Victorian Winter", Oil on linen, 20x24" ©Jennifer E. Young

And now that I have you hankering for some hot chocolate, I carry you back to summer again, with a new online auction. This plein air painting is a little larger than my prior auction listings; it's an 8x10" piece on linen-mounted MDF panel, with an opening bid of just $200. I painted this little gazebo on the dunes just in front of the beach house where my family has been staying the last several summers in Kill Devil Hills on the Outer Banks of North Carolina. I love the way the light hits the dunes right around dinner time, when the sun gets lower and the shadows get nice and long.

"Dune Shadows" Oil on linen, 8x10".  SOLD !

"Dune Shadows" Oil on linen, 8x10". SOLD!

New auction listing, "Shadows of the Pier" original oil, 8x8"

Today's auction listing is for a loose, impressionist painting of North Carolina's Outer Banks. I painted this little 8x8" oil "en plein air" over the summer during our annual vacation down there. It's a special place and it's a trip I look forward to all year long!  This auction will end on Wednesday, November  8th at 8 PM US Eastern time, or 5 PM Pacific. 

"Shadows of the Pier", Oil on linen, 8x8"  SOLD!

"Shadows of the Pier", Oil on linen, 8x8" SOLD!

Avalon Pier

This week I've just returned from our annual trip to the North Carolina Outer Banks. After a hectic start to the summer both my husband and I dearly needed some family vacation time to deflate, so we mostly swam, sunned, slept in, and ate a lot of seafood! Needless to say I didn't get a lot of painting done, but I did sneak out early one morning for some plein air sketching beneath the Avalon Fishing Pier:

"In the Shadows of the Pier" Oil on linen, 8x8" ©Jennifer Young

"In the Shadows of the Pier" Oil on linen, 8x8" ©Jennifer Young

A Room of One's Own

Yesterday on social media I posted the video of my long-awaited studio completion. If you weren't tuned in to that, I'm including it below. Today I'm also sharing a few more photos and some details because I'm really excited to finally have a permanent home to create my work.

Yes, the garage-to-studio is complete! Hurrah! 😄 I feel as if I have been moving for nearly two years, because, well, I have. So just the very thought of not having to shuffle my supplies and equipment from one place to the other is a most delicious concept to me.

It doesn't have the cottage charm of my former studio,  but it's open and airy and has North light and storage, so I feel like I'm in luxury any way. Here are the bins we had built:

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We built them "up" to keep the work off of the floor, even making use of the space over the water heater. 

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I'm using the same hanging system for hanging art as I did in the last studio, using picture rail and a hook and rod system from Walker Display. But my favorite feature is the shelving that runs along the perimeter of the space. 

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This came about because I had a strange cinder block bump-out that ran along the walls of the garage, and the carpenter suggested capping this off with some shelving where I could perch works-in-progress, wet paintings, or other unframed art. He also ran this same shelving over the doors and windows I had framed in, in place of the the old garage doors. 

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This space is just slightly east of due north studio lighting. But as you can see, when the sun goes down I still need supplemental lighting. For that I have installed Daylight LED tube lights and tracks. At some point I may install a couple of additional short tracks over my framing and auxiliary painting area, but I have enough to get me up and running. 

In keeping with tradition, I maintain my usual impeccable timing, and have completed the studio just in time to leave for two weeks on a plein air painting trip to Maine for an artist's residency. So, as excited as I am for my new space, it will have to wait to get junked up until I return! 😉  Meanwhile, God and internet willing, I hope to blog from the road during my travels.