Life in the Meadow; Start to Finish

Today I thought I'd share the  progressive steps for my newest painting of the beautiful Blue Ridge Mountains. (My usual disclaimers and apologies about the quality of these in-progress photos apply due to lighting conditions in my temporary work space.) This view is near the little B&B where we have stayed on a couple of occasions while visiting Bedford, Virginia.

I'm starting as usual with a sepia-toned sketch thinned with Gamsol to work out the main elements of my composition. This is very loose and general, but it helps me to determine placement. At this early stage I am not overly obsessed with exactness of the forms. Unlike with watercolor, in oil painting I like to carve and refine shapes as I go along. 


In the next steps I concentrate on massing in areas in the shadow family. This doesn't take too long because in contrast to my prior painting of the Blue Ridge which was predominantly in shadow, this new painting is predominantly sunlit, with a light source that is nearly overhead.


Next steps are massing in the meadow and the rest of the tree shapes, as well as the distant mountains


Followed by the sky


With the canvas nearly covered I work out the finer details of my primary focal area (the horses). 


At the final stages I add some suggestions of wildflowers to the field. I also add highlights and soften edges here and there, until I achieve the illusion of depth and light I'm after. 

Voila! The final: 

"Life in the Meadow", Oil on linen, 20x24" ©Jennifer Young

"Life in the Meadow", Oil on linen, 20x24" ©Jennifer Young

Woodland Spirits

In troubled times, I seek solace in nature. I crave the woods, the water in all forms, sounds of the wild and the quietude. These are indeed troubled times. I don't often write about politics or world events on my website dedicated to art, but I can no longer look at nature, my child, my work or my relationships without worry. The world I have known, with all its flaws, had some sense of stability for me. Now, though I don't know what to expect, I find myself fearing the worst. Maybe the better nature in us all will rise and simply rid itself of the superfluous, like a tree self-pruning its dead limbs. Or maybe all of this mayhem is insignificant in the grander scheme of things--just a part of life's ebb and flow. Whatever happens, I will try to steady myself in nature. Fleeting as it now seems to be, there is a power in it. A steadfast knowing...a spirit that can't be broken. 

"Woodland Spirits," Oil on linen, 24x24" Jennifer E Young

"Woodland Spirits," Oil on linen, 24x24" Jennifer E Young