Just a quick announcement that tomorrow evening (Thursday October 25th) I will be at The Carytown Collective, doing a little painting and making myself available to answer questions about the paintings I have on display. If you haven't yet had a chance to visit this shop, this event, "Fall in Love With The Carytown Collective" is a great opportunity to have some light refreshments and get to know some of the vendors, and even do a little shopping too. The fun begins at 5 PM and ends at 8. We are located at 3422 West Cary Street in Richmond. Hope you can join us in Carytown!
Paintings of France, Italy, and Beyond ©Jennifer E Young
It is good to be back to painting again. It has felt like such a long time since I have been able to stand at the easel and wipe all the cares away and just focus on art. Maybe for this reason, this painting came together fairly fluidly. This piece was inspired by a challenge from Gallery Flux, to create works for their upcoming show all about SNOW! So I thought I would experiment with a few different compositions in this theme in hopes that I'd have some good candidates to offer up for the show, and oh what fun it was! I painted from reference photos I took last winter in my neighborhood, which has its share of beautiful stately and Victorian homes.
And now that I have you hankering for some hot chocolate, I carry you back to summer again, with a new online auction. This plein air painting is a little larger than my prior auction listings; it's an 8x10" piece on linen-mounted MDF panel, with an opening bid of just $200. I painted this little gazebo on the dunes just in front of the beach house where my family has been staying the last several summers in Kill Devil Hills on the Outer Banks of North Carolina. I love the way the light hits the dunes right around dinner time, when the sun gets lower and the shadows get nice and long.
This marks my inaugural post for my first auction of my fall sale. First up this week is a sweet little original oil painting of the First Baptist of Church on Virginia Street in Ashland, Virginia. This auction is listed for 7 days and ends on Sunday, November 5th at 8 PM EST and 5 PM PST. It is offered at a fraction of my retail price, so head on over to my auctions page to read all about it and place a bid if you are so inclined. I hope to post at least a couple of these auctions for small originals each week for the next few weeks, just in time for the holidays. Thanks for looking!
I completed this painting (or so I thought) a short time before we left for our annual summer trek to the beach. I really liked it, for the most part. And having considered it finished, I stuck it up on my studio wall before our trip. After our return though, I started looking at it with fresh eyes. Some things that tugged on me before were now really starting to become more bothersome. But I decided to let it marinate a while longer as I was distracted with other projects.
Finally, I decided that while I liked the overall mood in this piece, I did not like the little closed umbrella to the left of my grouping of sunbathers. It kept pulling my eye away from where I wanted to go, and it was sort of an ambiguous object sitting there. Still I wanted something near that spot that would perhaps pull the painting together a little better. So I began flipping through my trip photos for some ideas and inspiration, and came across a snap of a little boy digging intently in the sand. I sketched it out quickly in a nearby notebook and set to work.
There wasn't a lot of built up texture where the umbrella was, so I only had to scrape it down just a little bit with a razor. Then I proceeded with a little "oiling out" (in this case with just a little gambol and solvent free fluid) to help the new paint layer adhere to the older but still very fresh under layer. Here is the revised painting with the little boy. I also brightened the sky a bit more as it was feeling a bit intense and heavy.
Here's a detail of the figures:
I don't know about you, but I like this much better, and I find it finally worthy of celebrating with a frame and a signature. :)
Last week I continued my quest to mine some of my favorite plein air paintings for larger studio pieces. The inspiration piece was a little 9x12" Plein air painting I did in the spring down at Maymont Park in Richmond, VA:
I really wanted to keep the same freshness in the larger 24x30" painting, so aside from referencing my photos for some of the branch formations, I used my Plein air piece as my main reference. Here is my setup, with the large and small side by side:
If it appears that I'm using a toned canvas, it is because I am painting on one that was a false start for a painting that turned into a wiper. I will often reuse canvases as long as there is just a thin, non-textured base. Anything with too much of a texture is distracting to me and can sometimes create adhesion issues. There is a good deal of impasto (thick paint) passages on this canvas. Here is a detail in progress:
And finally, here is the completed studio painting: