On Color and Social Media, Obsession and Restraint

Is it possible to be addicted to a paint color? I'm not sure that's a good thing, as I don't like the feeling of being overly-dependent on anything.  So I am really trying to temper my use, while at the same time exploiting the values of having it around. This also describes my experience with Social Media, and particularly with Facebook. I imagine Facebook still has some value to the small business, but on a personal level, it can prove a real time-waster, not to mention maddening, irritating, and downright invasive. On a personal level it's also a source of inspiration and community and sharing, which is why I joined up in the first place. But it is really hard in this case to exploit the positives while also avoiding the darker temptations and traps, so I am limiting myself overall.

"Afternoon Breeze, Rockland Breakwater", Oil on linen, 20x24"

"Afternoon Breeze, Rockland Breakwater", Oil on linen, 20x24"

For a long time I was resistant to jumping on the Facebook bandwagon. And it could be argued that when I finally did sign on, I may have come in at the tail end of an era where the platform provided a real benefit to small businesses for little to no investment other than a bit of time. As time went on, though, Instagram and Facebook began to replace blogging for me. After all, it was faster and seemed likely to reach many more people quicker than I could through blog subscribers alone. 

"Forsythia and Blue Delft", Oil on linen, 20x24"

"Forsythia and Blue Delft", Oil on linen, 20x24"

That's still an argument that can be made, but aside from the fact that Facebook is very much in the headlines these days, (and for reasons that are not all that flattering to the company) it seems harder and harder to find the same kind of reach that one could find in the good old days. I guess that's by design, in order to tempt users to buy ads. That's fine. It's a business model, and business is business I suppose.

But the price to be paid goes beyond money. It's the price of time, and yes, privacy. Say what you will about the fact that "nothing is private online." I don't argue with that or hold any illusions. I have never taken the silly quizzes or posted anything deeply personal that I haven't minded sharing. I understand that all of my info that I share is "out there". What bothers me is that my privacy decisions affect the privacy of my friends and vice-versa. Not only that but friends of friends. And not only them, but it turns out Facebook will even track the internet habits of people who never signed up for the service at all. That bothers me.  Facebook argues that anyone can go in and lock down third party apps and ultimately control a lot of what is shared. I have gone in and done that as much as I am capable of understanding how to do it. The problem is that in doing so, it renders the ease of sharing posts across platforms nearly impossible without spending an excessive amount of time on it.

Aside from all of that, I've found that my over-reliance on an outside platform to promote my work has resulted in the neglect of my self-hosted blog, and to a lesser extent, my website and even my studio time. I'm so incredibly short on time these days, and, let's face it, even peeking at your news feed or groups makes Facebook  a real time-suck.

Truth be told, I'm not sure how many people even read blogs any more, but I feel they still hold value, and think it would be a good idea to give blogging another shot. My hope is that people who are truly interested in my work will come find me here on my own domain first, with social and search serving as feeders. That seems to be the way it should be, but it's not the way it's been. 

"Winter Light at Stony Run Trail", Oil on linen, 20x24" 

"Winter Light at Stony Run Trail", Oil on linen, 20x24" 

I'm still sharing my work on social media (my preference these days is Instagram) but I'm going to step back from it a bit and give the old blog a little more love. As for the other obsession I mentioned, I have left a few clues for you in this post. These are a few of my recent paintings that I've shared on social media that I had neglected to blog about. The commonality among these pieces is the predominance of that certain color. Any guesses as to what it might be? Let me know in the comments and I'll 'fess up about it in my next post. 

Season's Greetings from Jennifer Young Fine Art

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SEASON’S GREETINGS!
I hope you enjoy this holiday season and that the new year finds you happy, healthy, and celebrating the beauty in our world. Thank you so much for your patronage and friendship!

JENNIFER YOUNG
www.jenniferyoung.com

A Happy Thanksgiving Video Card!

Happy Thanksgiving friends! Here is a little start-to-finish video demo of a recently completed studio piece entitled "Snowfall in Ashland". May this painting video of my hometown bring you cheer as you prepare for your own festivities celebrating the blessings of home, family, and friends. 

Studio oil painting landscape demonstration from start-to-finish by Jennifer E. Young. See Jennifer's complete catalog of available paintings at www.jenniferyoung.com

From winter to summer, in one post!

It is good to be back to painting again. It has felt like such a long time since I have been able to stand at the easel and wipe all the cares away and just focus on art. Maybe for this reason, this painting came together fairly fluidly. This piece was inspired by a challenge from Gallery Flux, to create works for their upcoming show all about SNOW! So I thought I would experiment with a few different compositions in this theme in hopes that I'd have some good candidates to offer up for the show, and oh what fun it was! I painted from reference photos I took last winter in my neighborhood, which has its share of beautiful stately and Victorian homes.

"Victorian Winter", Oil on linen, 20x24" ©Jennifer E. Young

"Victorian Winter", Oil on linen, 20x24" ©Jennifer E. Young

And now that I have you hankering for some hot chocolate, I carry you back to summer again, with a new online auction. This plein air painting is a little larger than my prior auction listings; it's an 8x10" piece on linen-mounted MDF panel, with an opening bid of just $200. I painted this little gazebo on the dunes just in front of the beach house where my family has been staying the last several summers in Kill Devil Hills on the Outer Banks of North Carolina. I love the way the light hits the dunes right around dinner time, when the sun gets lower and the shadows get nice and long.

"Dune Shadows" Oil on linen, 8x10".  SOLD !

"Dune Shadows" Oil on linen, 8x10". SOLD!

Winter Walk

Though I've been working on this painting for the past week, today seemed a good day to post about it. Outside it is a cold, slushy mess here in Ashland VA. It's a good day to sit by the fire sipping tea and reading art books--unless, of course,  you happen to live with a five year old. Then it's all snow angels, snow men, and snowball fights, until finally thawing out with hot cocoa. But there is something pretty magical about seeing the snowfall through the eyes of a child, and even a mere dusting must be thoroughly explored and exploited.

This painting was inspired by our very first snowfall in Ashland. My niece happened to be here visiting and she and my little daughter created some nice interest for the wintry setting I'm featuring here, which is located in the park that sits just behind our house.

I had a beast of a time photographing this painting for accurate color, and I didn't bother to do any color correction on the sequence of progress shots above. The colors are pretty accurate in the final shot of the painting below, however. It was a really fun and different painting for me, and I enjoyed all of the soft edges and the subtle color palette employed to create the mood.

"Winter Walk", Oil on linen, 20x24",  ©Jennifer E Young

"Winter Walk", Oil on linen, 20x24",  ©Jennifer E Young